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Pentêkostề hêméra , Composition N°515 200x200cm, acrylique et feuille d’or sur toile, Paris 2016 Deuxième toile qui reprend le thème de la descente du Saint-Esprit. Dans la partie supérieure du tableau, les formes géométriques se structurent symétriquement de part et d’autre de l’axe central de la toile. Construites sur le modèle des arcs ogivaux, elles répètent les motifs ornementaux de la voûte de l’Oratoire de la Passion dont l’artiste a réalisé plusieurs esquisses. Le rythme chromatique alternant les étendues de couleurs noir, rouge terre et ocre avec la feuille d’or et la feuille de cuivre opèrent une fusion entre l’abstraction et le cubisme, d’une part, et l’art sacré et proto-renaissant de Giotto, d’autre part. Au centre du tableau, on distingue la forme de la Colombe, symbole du Saint-Esprit. La deuxième partie du tableau s’organise selon le principe pyramidale structurant la composition de toutes les peintures religieuses qui figurent la descente du Saint-Esprit. Le triangle central recouvert de feuille d’or reprend, en la simplifiant à l’extrême, l’iconographie de la Vierge ouvrant son manteau en signe de bienveillance et de protection. La répétition des motifs triangulaires autour du triangle central symbolisant la Vierge, semble renvoyer à l’assemblée des apôtres, élément constitutif de l’iconographie de la Descente du Saint-Esprit. On remarque alors que la toile est cousue de douze bouts de tissus individualisant les douze apôtres. Sur le côté gauche, une couture, plus visible que les autres, ouvre une plaie dans la toile. Une tâche rouge s’en échappe. Ici aussi, la toile se fait corps et c’est le flanc du Christ qui nous apparaît. C’est donc par cette entaille que le thème de la Passion du Christ émerge à nouveau dans cette deuxième œuvre de la série.
Original Created:2016
Subjects:Abstract
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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The art of Rodolfo Oviedo Vega is one of paradox and certain contradictions. His paintings can seem at first glance to be heavy, even opaque on the canvas, yet on closer inspection they became surprisingly varied in their textures. Parts of some works have an appealing heft, with collage elements and layers of oil paint worked into a thick impasto, while others can seem as light and delicate as fallen leaves. His compositions can seem purely abstract, and his basic visual language has remained rooted in abstraction for most of his career. Yet figuration keeps poking through in ways that give his work complexity and an enigmatic charm. The abstract forms of some works recall portraiture, while the perspectives and horizon line in others harks back to the landscape-painting tradition. Architectural elements frequently appear in Oviedo Vega’s work – railings, windows, arches, often in sombre colours that emphasise their geometric armatures – and show his interest in urban space and construction. Far from pure abstraction, these works often lead us into explorations of the aesthetic possibilities of buildings, with their multiple planes and volumes, and the architectural forms of contemporary cities, which, in Oviedo Vega’s hands, can look familiar to any city dweller yet also strange and even a bit alienating. This engagement with urban architecture also suggests a connection to his native El Salvador, the most urbanised country of Latin America. Oviedo Vega inhabits and plays out these contradictions in his work, without – to his great credit as an artist – ever trying to resolve them into neat packages, creating instead works that are complex, multi-layered and deeply human. Oviedo Vega has travelled all over the world, absorbing experiences and artistic influences that are sometimes reflected in his work, and living for a time in southern India and later Paris, where he lives and works today. His paintings are often better described as mixed-media collages, incorporating materials including sand, coconut bark, banana leaves and red wine. Roger Atwood. Rodolfo Oviedo Vega is one of those great travelers whose tales of adventures amaze us so much as they fascinate us. Adventurer from Central America, from El Salvador to Chile, going through the archipelago of San Blas, the artist has traveled along India living in Kerala and then in the Himalaya. He has crossed Europe and exposed his work in Paris, Madrid, Tallinn and Milan.
Artist featured by Saatchi Art in a collection
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