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9 x 12 in ($40)
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La femme au coeur perdu s'éloigne vers son royaume desert elle pleure lacs de larmes où habitent millions de poissons rouges comme le sang Digital painting and poem by Monica Maria Seksich
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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"...There are two new recurring motifs : the gear and the two . Maybe the gear is the symbol of the movement , the mechanism behind what we see around . Unveiling , the artist wants to tell us that she went beyond appearances ? Perhaps the veil we perceive is that in addition to which his art has arrived , which then begins to unravel the hidden mechanisms of existence? The reason for the two runs through all his new work , in direct relation with the theme of the report, achievable only by going beyond oneself. It's two in the diptych foemina Aqua Mundi , two of the legs, or the woman and man 's together , or the two wheels of the means of locomotion - tiny toy knight of Aphrodite is waiting , or the pair of fluttering eyelashes fairytale mechanical 2 . Of course , research on the world of women is a constant , only that it is now of "feminine in relation to" , indeed, perhaps to report real , indefinite and elusive by nature . No longer, therefore , particularity , no more parts of the body designed to identify unequivocally clear and certain aspects of the woman, as they were before his eyes in Circe, the hair Maddalena , arms Khali Khali Khali , etc. . Now all he won the part and dominates his work Feminine tout court , whole and entire, full , pure state. And if before the artist seemed to represent the impact that energy has on a person and the way it transforms those who are crossed , now , of this energy , he can make the universal flux . There is no longer the need to express / identify themselves in a way only the female ( from time to time seductive , angry , bewitching ... ), the artist seems to have liberated from the need to embody a form and , therefore , de- restricted . On the contrary: now expresses / stop in a more feminine vague and clear , therefore more open, available , receptive . And in such an atmosphere of lightness and irony , thanks to this newfound freedom , from his paintings now oozes the feel of a lightweight , universal smile." Barbara Polettini Coffani , 01/05/2014 .
www.monicaseksich.net mseksich@gmail.com
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