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Tabernacle Revival Print

Blake Hughes

United States

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About The Artwork

Tabernacle Revival 12 x 9 inches pen on bristol board original abstract drawing. Created 2021, unframed, ships flat packed in box with signed certificate of authenticity. Based around Cubist fragmentation of space and subconscious automatic drawing technique resulting in a highly fragmented spaces. With this piece in particular the shape of the cross emerged early and helped to drive the conceptualized space that resulted in the twisted figure present in the foreground and its spirit entering/leaving. Having grown up around some of the more esoteric Christian practices in Appalachian, the notion of a person writhing on the floor as a spirit enters them immediately brought to mind images of classic church revival and speaking in tongues.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Currently with my pieces I strive to use classical figures and traditions in a contemporary manner, to turn an ever mindful eye towards the history of art to reinterpret current social events. This hope to tackle subject matter with an eye towards social consciousness has led me to strive and push my limitations with various media, experimenting to find some way to comment on and attempt to tackle modern issues through art. This outward turn towards influences must also be meet with the inward turn as well and I reflect on my own Buddhist beliefs through art and experimentation, and by exploring a deep fascination with the iconography of Christ, Mother Mary, and those around them in the Western art tradition, as so many of these images formed the basis for my experience of fine art. During these explorations I will be turning to modern artists like Julie Mehretu, whose abstract compositions, with strong linear flow mixed with organic expressions create a visual plane unlike few others, and Eileen DeKooning, who serves as a critical and poignant innovator of abstract expressionism and who I have found a profoundly personal bond via her teaching of my professor and mentor Stan Sporny.

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