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Germany
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Fine Art Paper
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10 x 10 in ($40)
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White ($80)
This piece finds its roots in a common motif of collage—layers invading one another. Having encountered numerous works featuring butterflies, I was eager to incorporate them into my distinctive style. Here, the butterflies symbolize intrusion. As the world figuratively crumbles and breaks, they inject a burst of color into the black-and-white reality. Yet, the forceful and revolutionary entrance leaves room for interpretation—whether the intrusion is beneficial or purely invasive. The title adds another layer of meaning, hinting at themes of denial and rejection. Aesthetic considerations play a pivotal role in this piece. The nearly photographic background, coupled with meticulous attention to realistic shadows and reflections, creates a sense of confusion regarding the medium and technique. The puppet-like characters contribute to this ambiguity, blurring the lines between reality and the surreal.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Germany
The quote by the Roman philosopher Phaedrus hasn’t lost its validity since the first century CE: “Things are not always what they seem; the first appearance deceives many”. Creating digital compositions in which all of the parts blend seamlessly together, while emanating the textures of ripped paper and ink marks commonly found in analog collage, is my primary goal throughout the artistic process. I want to make the viewer question what medium they are really looking at: digital collage, analog collage, or even photography? By intentionally obscuring the process behind my work, I seek to challenge the common opinion of what is considered ‘art’, and more specifically, what is considered ‘collage’. This sense of confusion surrounding my process also intentionally mirrors the feelings of confusion which I frequently address in the subject matter.
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