VIEW IN MY ROOM
United States
Printmaking, Digital on Paper
Size: 22 W x 30 H x 1 D in
Ships in a Box
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Artist featured in a collection
This is a hand modified digital print on archival paper. Each print in this series includes an area printed on reflective metallic foils and then collaged onto the print's surface. The starting point for this collage was the 'Eschaton' game in David Foster Wallace's novel, 'Infinite Jest'. This collage suggests the dark humor and outlandishness of children playing a tennis game that simulates warfare. The piece incorporates imagery that is both playful and menacing, indicating that place where the terrible, the sublime, and absurd meet in post-modern life. All pieces are hand signed and numbered by the artist on front in the lower right and on verso.
Original Created:2017
Subjects:Political
Printmaking:Digital on Paper
Artist Produced Limited Edition of:1
Size:22 W x 30 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I make thoughtful mixed-media works that mediate friction between narrative and materiality. Novelistic pastiche and intuitive abstract painting confront each other in a bricolage of photographs, paint, and found objects. From a trace discovered in a few abject elements at the beginning of my process, I interweave strata, adding and subtracting components strategically or intuitively to create a quirky grammar of intellect and wonder. While my development has been steadily nourished by great mixed-media artists of the past, including Kurt Schwitters, Robert Rauschenberg and the Kienholzes, I'm also inspired by contemporaries like Fred Tomaselli, Julian Schnabel and Barnaby Furnas. Due to a lifelong visual impairment, I have access to the Library of Congress audio collection; the books I listen to while painting frequently inform my work. I think of my pieces as contemporary equivalents to religious icons, memory gardens or totem poles; abstracted story-boards in which the gaze explores systems of interpretation and meaning in a shared situation with the artwork. My practice seizes the narrative debris of Spectacle - advertisements with their flattened affect, litter, hyper-real media images, plastic paint - and humanizes them in matrices of personal symbolism. I strive to push the narrative element as far as it can go in materiality and, beyond merely illustrating, signify stories infused with broad, universal themes and questions.
Artist featured by Saatchi Art in a collection
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