VIEW IN MY ROOM
United States
Photography, Color on Paper
Size: 40 W x 50 H x 0.1 D in
Ships in a Tube
Shipping included
The shafts of light in Antelope Canyon occur when the sun is at a low angle, such as in the early morning or late afternoon. During these times, the sunlight filters through the narrow canyon walls and creates a mesmerizing play of light and shadow. The shafts of light that occur in the canyon are created when the sunlight passes through openings or openings in the canyon walls and illuminates the canyon floor. This photograph was taken at a time when specialist photography tours were available whilst accompanied by a Navaho guide. Sadly, these are no longer available so photographs of Antelope Canyon like these at this resolution are very hard to find. My photography is very unique. I only shoot large format using a computerized robotic mount that takes the image in a series of tiles that are later joined together to create a super high resolution panorama. The resulting image can be printed at extremely large sizes whilst still maintaining ultimate clarity and detail. This method also allows the image to be distortion free as only the best part of the captured image are used in the final joining resulting in a flawless image. Many people have said that my images are so detailed and vibrant that it is like looking out of a window. This is especially true of a large format print like this that completely immerses you in the scene. To do this piece justice, it is printed on Fujiflex paper - one of the finest photographic papers available.
Photography:Color on Paper
Artist Produced Limited Edition of:250
Size:40 W x 50 H x 0.1 D in
Frame:Not applicable
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I am a photographer specializing in very large format work. I have an obsession with producing an image with insane amounts of detail no matter how big the finished print will be. I use a selection of specialist equipment to achieve this goal and strive to provide a finished item that is almost like being there. Nearly all of my work is fused to the rear of acrylic which gives it an almost three dimensional appearance and I have been told it is like looking out of a window.
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