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analog patterns Painting

Nartana Thomas Holzweiler

Thailand

Painting, Acrylic on Canvas

Size: 27.2 W x 27.2 H x 1.6 D in

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About The Artwork

this one is painted into the top part of an old teakwood door. what was suppose to be a simple, minimal and zen-like painting at the start turned into quite an elaborate piece. i suspect I was channeling some patterns. This piece weighs about 3-4 kg These pieces start with the 'frame'. In this case salvaged old window shutters from a traditional Thai wooden house. Most of the wood is teak and other Asian hard woods. The paintings are accommodating the old charm, making a rustic and yet fresh visual. The inlayed painting is on canvas glued onto plywood which in turn is glued onto the recessed tongue and groove. None of the shutters are perfect, as one can see in the photos. Which is part of its charm. Yet all of them are structurally sound and free any pests. All of the woods and canvas are varnished several times with a matt finish.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:27.2 W x 27.2 H x 1.6 D in

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Artist Statement "˜The need for creativity has always been with me. There is such an intimacy and freedom, when I paint or rather when painting happens! It's not always pretty. At times it seems, that the most perfect thing is the white, clean and sqare canvas. Still there is something else there not yet visible, but slowly to be unveiled, and so the journey begins. It can be tremendously chaotic at first; it can also flow harmoniously from the start. It can feel destructive and constructive within a moment of time........always balancing light and dark to create something unique and beautiful.' Nartana During Nartana's formative years he frequented the Art Museums, which provided a sanctuary for a young man witness to a war-divided Germany. At the age of 16, he began his formal education in art at Fachoberschule fuer Gestaltung, followed by Fachhochschule fuer visuelle Kommunikation (College for Visual Communication). From childhood onwards Nartana painted. What began as a means of escape, became for him a method of meditation. The immediacy of paint provided Nartana with a medium through which he could encapsulate moments; recording, as you will in a diary, transient states of being; striving, always for the state of "˜no mind'. Prompted by an increasing dedication to his spiritual life Nartana left Germany and traveled with paint and brushes extensively throughout Europe, Asia and the Americas, eventually establishing himself as an artist and member of the Counsel or the Arts and the Society of Artists in Santa Fe, New Mexico. Nartana invites the viewer to engage on a more subconscious level, through form, texture, color and space, endeavoring to create a place in which viewers can enter into their own dialogue. His work has been exhibited in galleries in Aachen, Berlin, Amsterdam, India and throughout the Southwest of the US. Currently he's living and painting on Koh Samui, Thailand.

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