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The Rise Of Gray Matter Or the Utopia Of Human Feelings (tribute to Hariton Pushwagner and George Orwell) Painting
Bulgaria
Painting, Oil on Canvas
Size: 39.4 W x 27.6 H x 1.4 D in
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About The Artwork
The artwork was inspired by the art of the great pop artist Hariton Pushwagner. I tried to look at George Orwell's literature through the eyes of Chariton Pushwagner. I painted my cover version of some of Puswagner's works, mixing them into one work, injecting ideas and a sense of the World of Orwell's 1984 novel. I have been working on this work for over a year. I used for inspiration the moments when I had the appropriate disposition of the spirit, those moments in which I could sink in into the World of these two great artists. The artwork is painted with high quality French olive paints. It is filled with my original and unique technique that gives a lot of relief (physical texture) and makes the work look unique, aesthetic joy for the eye of the viewer. I am sure it will bring a lot of joy and satisfaction to your home.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 27.6 H x 1.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Bulgaria.
Customs:Shipments from Bulgaria may experience delays due to country's regulations for exporting valuable artworks.
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Bulgaria
Painting of the artist Vlado Vesselinov is a great example that the vintage style prevails lately and is also present in the world of contemporary art. The work of Vesselinov should be read as an expression of nostalgia and fascination with the past - fashion, design and pop culture of the 60s. A characteristic feature of these images is a clearly visible texture of the canvas, which remind us pages that someone snatched from a fashion magazine found in the attic. It's similar to the effect used by Quentin Tarantino in his recent productions, where full of dirt and defects film reels pulls the audience in a unique atmosphere of a Drive-in theater. As for the colors of Vesselinow artworks, he clearly refers to the psychedelic record covers of Jimi Hendrix or Jefferson Airplaine.
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