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Richard Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 40 W x 80 H x 1.5 D in

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About The Artwork

[first lines] Richard: [narrating] God will forgive them. He'll forgive them and allow them into Heaven. I can't live with that. Richard: You know why people give kids drugs? So they can control their minds. 'Cause they're fucking weak-minded themselves. Richard: [to Mark] You, you were supposed to be a monster - now I'm the fucking beast. There's blood on my hands, from what you made me do. Richard: Was he screaming my name? When they were torturing him... was he screaming my name? Mark: Yes Richard: He's still screaming my name Richard: What you cutting it like? Anthony: Dunno. Long hair Richard: What, like Bon Jovi? Anthony: [laughs] No Richard: What did you do? [Mark begins explaining] Richard: I SAID WHAT DID YOU DO... What did you do? Not them other cunts Mark: I didn't stop it... I didn't stop it Richard: Well you should've stopped it... you might've stopped a lot of carnage Mark: What do you mean? Richard: They're all dead... I executed them all and your the last one Sonny: Hey man, how you doin'? Rich... [offers handshake] Sonny: [Richard refuses handshake] Sonny: You ok? Richard: Mmh [nods head] Sonny: You know the lads had this ridiculous idea th... Richard: [Richard interrupts him before he can finish off the sentence] Yeah, it was me. Sonny: Oh it was? Thought so. What are you up to? Richard: Moochin' about. Sonny: Moochin' about? In my house? Richard: Mmh Sonny: Do you always paint men? Like women?... What are you doin' lad? Richard: That's my concern. Sonny: Not with being in my house. Where are you staying? Richard: Motson's farm. Gonna come see me are ya? Sonny: Maybe I will. You're not afraid of me are ya? [Richard smiles & shakes head implying he isn't afraid] Tuff: Why doesn't he just chin him? Big Al: He's weighing him up, he's weighing him up, shut up. Sonny: You're making me very nervous, Richard. Richard: Well you should be. If I were you, i'd get in that fuckin' car and i'd get out of here man. I'd gather them goonies and get whatever you've got comin' mate... 'cause i'm gonna fucking hit you all. Sonny: I don't like being threatened, Rich'. Richard: I'm not threatening you mate. It's beyond fucking words. I watched over you when you were asleep and I looked at your fucking neck and I was that far away from slicing it. Richard: [Richard opens up his hand right hand and points towards his palm] You're fucking there mate! [Richard clenches his hand] Richard: So get in that car... and FUCK OFF! Richard: You get to me first! Sonny: I just might. Richard: Take this knife Mark: No Richard: You take this knife before I do something terrible with it. Richard: Dance at my party. from ‘Dead Man’s Shoes’ (2004) Starring Paddy Considine ("You’ve got a moustache." -- " …I know."), Gary Stretch (Cleitus the Slack-Jawed Macedonian), Stuart Wolfenden (Crazy Hong Kong), Jo Hartley (Eddie the Eagle), Neil Bell (Prof X’s Frankenstein), and Toby Kebbell (Pausanias - Why’d you do it brah?). Written by Shane Meadows (This Is England) and Paddy Considine (Journeyman). Directed by Shane Meadows (Somers Town). Dead Man's Shoes is a 2004 British psychological thriller directed by Shane Meadows and starring Paddy Considine, both of whom co-wrote the film with Paul Fraser. The film also stars Toby Kebbell, Gary Stretch and Stuart Wolfenden. It was released in the United Kingdom on 1 October 2004 and in the United States on 12 May 2006. Filming took place in the summer of 2003 over the course of three weeks. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 80 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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