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Prejudice Engineering Painting
Italy
Painting, Acrylic on Canvas
Size: 19.7 W x 27.6 H x 0.8 D in
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About The Artwork
An unmotivated judgment that precedes real knowledge. It is based on the fears and phobias of the individual, the fear of the different, of what we do not know. The reason for this unaware and automatic fear of what we do not know has deep roots that date back to the evolution of the human and animal species. We find ourselves dealing with the need to protect our social group as a drive towards survival. Prejudice influences decisions made in many fields. Our perception of others is deeply rooted in mechanisms that are difficult to control: automatisms that reflect the principles we believe in, instinctive emotional reactions that we express, associated with our cultural models. The engineering of prejudice represented by this painting opens decisive and concrete gates to the true knowledge of things and overcomes prejudice in an almost scientific way. And ….. the engineering? Engineers are fantastic forward thinkers – anticipating problems and issues that may arise in the future.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 27.6 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Nix is the artistic signature of Giovanni Iacomino, Neapolitan, electronic engineer and currently manager of a multinational company. An expert in telecommunications and security and control systems, he has recently started an artistic career, dedicating himself to abstract painting. Nix creates pictorial and plastic works that go beyond the representation of real objects and that move away from known and recognizable shapes and images using a visual language of shapes, colors and lines to create a composition that can exist independently of visual references in the world. Apparently, nothing remains of reality: only shapes and colors. But reality is at the same time the real source of inspiration. Nix wants to restore beauty to objects that seem to have lost it with daily use and assign them a connotation of meaning different from the more widespread one. The paintings often incorporate waste materials used daily, such as paper napkins, packaging, etc., identifying in the objects themselves the quintessence of the consumer society and industrialized production. Reusing them is an aid, albeit limited, to environmental sustainability.
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