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Political Coalition (utopia of identity) Painting
Bulgaria
Painting, Oil on Canvas
Size: 47.6 W x 13.8 H x 0.8 D in
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About The Artwork
The work is a reaction to all the negative and unpleasant things presented to us by the "political class". A reaction against human depersonalization and dehumanization that is increasingly worrying. The coalition is based on unprincipledness and the depersonalization of identity, the leading one being material gain and idolized materialism in its purest form. People need to be more careful and smart. To doubt everything that is presented in a shiny and easy-to-understand, attractive package, they must look under it - there are the real currents and pitfalls in our lives. Think about it, we'll just help. The work allows it to be hung on the wall, both horizontally and vertically. In fact, it can be hung in all four directions. As the political coalition is able to always change its directions and positions. "Je pense, donc je suis" René Descartes
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:47.6 W x 13.8 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Bulgaria.
Customs:Shipments from Bulgaria may experience delays due to country's regulations for exporting valuable artworks.
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Bulgaria
Painting of the artist Vlado Vesselinov is a great example that the vintage style prevails lately and is also present in the world of contemporary art. The work of Vesselinov should be read as an expression of nostalgia and fascination with the past - fashion, design and pop culture of the 60s. A characteristic feature of these images is a clearly visible texture of the canvas, which remind us pages that someone snatched from a fashion magazine found in the attic. It's similar to the effect used by Quentin Tarantino in his recent productions, where full of dirt and defects film reels pulls the audience in a unique atmosphere of a Drive-in theater. As for the colors of Vesselinow artworks, he clearly refers to the psychedelic record covers of Jimi Hendrix or Jefferson Airplaine.
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