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This artwork I partially created at the «International Summer Academy Salzburg» (19.8.–31.8.2019) (summer academy.at) during a 2 week painting course and completed later in my studio at home. Starting point was the sketch showing in the gallery here. As in most of my painting processes it directed me in a different painterly solution then imagined in the beginning. This painting depicts gravity and kinetics, i.e. rotation, suspending and stretching of different materials in a poetic way. The artwork is signed and dated on the reverse side and is mounted on stretchers. (Size: 31.5 x 31.5 inches)
This artwork I partially created at the «International Summer Academy Salzburg» (19.8.–31.8.2019) (summer academy.at) during a 2 week painting course and completed later in my studio at home. Starting point was the sketch showing in the gallery here. As in most of my painting processes it directed me in a different painterly solution then imagined in the beginning. This painting depicts gravity and kinetics, i.e. rotation, suspending and stretching of different materials in a poetic way. The artwork is signed and dated on the reverse side and is mounted on stretchers. (Size: 31.5 x 31.5 inches)
This artwork I partially created at the «International Summer Academy Salzburg» (19.8.–31.8.2019) (summer academy.at) during a 2 week painting course and completed later in my studio at home. Starting point was the sketch showing in the gallery here. As in most of my painting processes it directed me in a different painterly solution then imagined in the beginning. This painting depicts gravity and kinetics, i.e. rotation, suspending and stretching of different materials in a poetic way. The artwork is signed and dated on the reverse side and is mounted on stretchers. (Size: 31.5 x 31.5 inches)
This artwork I partially created at the «International Summer Academy Salzburg» (19.8.–31.8.2019) (summer academy.at) during a 2 week painting course and completed later in my studio at home. Starting point was the sketch showing in the gallery here. As in most of my painting processes it directed me in a different painterly solution then imagined in the beginning. This painting depicts gravity and kinetics, i.e. rotation, suspending and stretching of different materials in a poetic way. The artwork is signed and dated on the reverse side and is mounted on stretchers. (Size: 31.5 x 31.5 inches)
This artwork I partially created at the «International Summer Academy Salzburg» (19.8.–31.8.2019) (summer academy.at) during a 2 week painting course and completed later in my studio at home. Starting point was the sketch showing in the gallery here. As in most of my painting processes it directed me in a different painterly solution then imagined in the beginning. This painting depicts gravity and kinetics, i.e. rotation, suspending and stretching of different materials in a poetic way. The artwork is signed and dated on the reverse side and is mounted on stretchers. (Size: 31.5 x 31.5 inches)
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Pivot Painting

Claudio Köppel

Switzerland

Painting, Acrylic on Canvas

Size: 31.5 W x 31.5 H x 0.6 D in

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About The Artwork

This artwork I partially created at the «International Summer Academy Salzburg» (19.8.–31.8.2019) (summer academy.at) during a 2 week painting course and completed later in my studio at home. Starting point was the sketch showing in the gallery here. As in most of my painting processes it directed me in a different painterly solution then imagined in the beginning. This painting depicts gravity and kinetics, i.e. rotation, suspending and stretching of different materials in a poetic way. It comes with a certificate of authenticity.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 31.5 H x 0.6 D in

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claudiokoeppel.com ________________________ With my artworks I try to make the invisible visible. Depict things alternatively than experienced obviously in everyday life. Aspects like history, physics, biology and psychology extend my endless research for unique creations and its meanings. Over all, I understand this as a visual poetry. Formaly seen, it is about the tension between abstraction and figuration; a miraculous field in which I move.

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