VIEW IN MY ROOM
About The Artwork
This original , oil painting was done from a photo study of a Parisian tucking into his dejeuner outside a cafe on the streets of Paris during the pandemic while a couple are making love behind him ! I've melded realism with expressionism to capture a moment of contrast—a vibrant juxtaposition of solitude and intimacy. The bold brushstrokes and rich colors bring life to a scene that speaks volumes of our human yearnings and the complex tapestry of urban life. It's a narrative frozen in time, inviting contemplation and emotion, that will add depth and conversation to any space it adorns.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:16 W x 12 H x 1 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
. My recent paintings and photographs of Parisian and New York everyday life are inspired by the many summers and winters we have lived in both cities. Art is the highest form of hope ! "It is only the heart that truly sees that which is important. " Jo Tuck's works are in private collections around the world and regularly participates in shows in New York, Caelum Gallery, and London. , including Christie's Cancer benefit show and the RA Summer shows Her background is film editing until she became a full-time painter and photographer. While she was at college she made two 16mm short films, one on the Australian Aboriginal Women and another on Sheep farming in Wales. After film editing for the BBC and feature films I took up painting and photography full time. My photojournalism is inspired by Henri Cartier-Bresson, Walker Evans, Eugene Atget, and Robert Frank .
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