VIEW IN MY ROOM
Switzerland
Painting, Ink on Canvas
Size: 10.6 W x 13.4 H x 0.1 D in
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Part of a series of four small washes on canvas, dominated by sepia-toned indelible ink, "E-On", made in December 2023. Openings of white, light blue and yellow light in the dark ink suggest windows into the distance. Executed with broad brushstrokes, leaving plenty of room for chance and randomness. The thin red border is in ink, while the light blue is an acrylic wash. The dark blue is either indigo from the tube, applied with a sponge, or ink. Salt splashes on the still-wet sepia wash give light and stardust in the deep brown. (The name "E-On" is simply the reverse of the "No-E" canvas, made at the same time.) *** Fait partie d'une série de quatre petits lavis sur toile, à dominante d'encre indélébile sépia, "E-On", faite en décembre 2023. Les ouvertures de lumière, blanche, bleu clair et jaune, ménagées dans l'encre foncée, suggèrent des sortes de fenêtres vers le lointain. Exécuté avec des pinceaux larges, en laissant une large place au hasard et à l'aléatoire. Le fin liseré rouge est à l'encre, tandis que le bleu clair est un lavis d'acrylique. Le bleu foncé est soit de l'indigo du tube, posé à l'éponge, soit de l'encre. Les projections de sel sur le lavis de sépia encore mouillé donnent de la lumière et une poussière d'étoiles dans le brun profond. (le nom "E-On" est simplement l'inverse de la toile "No-E", faite en même temps)
Painting:Ink on Canvas
Original:One-of-a-kind Artwork
Size:10.6 W x 13.4 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Switzerland
- Photo: Naples, Italy, March 2019 - Born April 1947, married, 2 children, 5 grand children. - Graduated in economics, then swiss banker in private banking from 1974 to 2007. - Started drawing in travel sketchbooks (self taught) at the age of 48 in 1995, and painting much later in 2007 at the age of 60. - Former "urban sketcher", from 2020, writer of historical novels. My desire to paint comes from the interest for expressing something aesthetic or gaudy, for finding an unstable equilibrium, for experimenting with different approaches, for renewal, testing, trying. Even though I’ve done mini-series, I don’t like to stick to one repetitive process. To me, painting is a dialogue between control and letting go and abstraction is of particular interest because it allows us to to express things that would otherwise escape our senses. It’s still a large field, even though everything is supposed to have already been made.
Artist featured by Saatchi Art in a collection
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