VIEW IN MY ROOM
2020 Painting
United Kingdom
Painting, Acrylic on Cardboard
Size: 20.7 W x 20.7 H x 0.2 D in
Ships in a Box
About The Artwork
The work "2020" is based on my thoughts of the pandemic Covid19. This year everyone living through an unusual time with complicated social, economic and health crisis. The majority of us has a negative impression of the Covid virus. Perhaps this special occasion does attract many artists how we see this situation in our own way. In this reason, I am interested the details of the virus. As long as I see I attracted the beauty of the mother nature and its creation, shape and structure although known this virus has taken many lives. Such a beautiful and dangerous. This is the other side of nature. In nature, there isn't anything exist good or bad, positive or negative. All micro and macro worlds have existed on a delicate balance, in the life cycle. We human do struggle to survive but we will be tested by nature from time to time. The "2020" is one of the latest series painting with simple lines and flat colour compositions. mixed with traditional painting elements, symbols and abstract forms. It is painted on cardboard for display in the frame. Therefore it does not have a hanging string on the back of the painting yet! If you interested this piece, please contact about details and technical issue to display.
Details & Dimensions
Painting:Acrylic on Cardboard
Original:One-of-a-kind Artwork
Size:20.7 W x 20.7 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I am a London-based Mongolian-born visual artist. Growing up in the Eastern Bloc, practising Buddhist and Folk Arts in Mongolia, education in Japanese Fine Arts in Tokyo and later moved the UK provoked my curiosity in social-cultural anthropology. I became increasingly aware of my native cultural ideology of "Hooson Chanar", which is influenced by the Buddhist view of Nagarjuna Sunyata. I see and compare social and environmental issues in interrelationships, dependent on each other to exist in harmony and quality of the impermanence of all things. With this view, my works have mostly metaphoric expression whether I choose subjects with figurative objects or abstract shapes.
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