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Joy and pain Drawing

Massimo Casalini

Drawing, Ink on Paper

Size: 8.3 W x 11.7 H x 0 D in

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About The Artwork

M’addormento leggendo il resoconto di Georg Forster; sono arrivato al punto in cui Cook e Fourneaux approdano alle Isole Tonga. Se la spassarono di brutto, accidenti. Donne bellissime, gente cordiale e amichevole, un posto paradisiaco, clima caldo e poi il mare, il sole, il vento. Eh, se la spassarono di brutto, quegli inglesi, con le donne che si offrivano in cambio di qualche piuma, o perline, o chiodi… Chissà se Cook approfittò della situazione, se Forster face le sue brave trombate, oppure rimase ligio ai suoi valori, al suo ruolo. Ah, io mi sarei senz’altro seccato le palle. Nel sonno arriva il sogno, ed è ben diverso dai ragionamenti che ho appena fatto. E’ un miscuglio di gioia e dolore, dove l’uno è permeato dall’altro in un ossimoro senza fine. Gioia e dolore, così perfettamente incastrati, diventano complementari; nel sogno nessuno sembra capace di provare gioia senza provar dolore e il dolore viene accettato con gioia. E’ un rebus, accidenti. E in questo enigma sono tutti coinvolti allo stesso modo: l’albero, l’uccello, l’alga, il pesce, le ragazze, gli uomini, anche le creature dell’universo mistico degli indigeni sono sottoposte a questo mistero. Dormo beato, mi sveglio con rammarico. Ricordo tutti quei bei volti, quei sorrisi, quelle voci musicali, quei posti; ho nostalgia, mi mancano, non li ho mai conosciuti, li ho soltanto immaginati. Gioia e dolore, appunto.

Details & Dimensions

Drawing:Ink on Paper

Original:One-of-a-kind Artwork

Size:8.3 W x 11.7 H x 0 D in

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I was born in Livorno, Italy. I'm 50 years old. Unconsciously, I'm always been interested in fine arts. Since I was a child, I wonder about visual perception: my school teacher told me sea is blue, sky is azure and trees have brown trunks and green leaves. I, instead, insisted to paint the sea by using all types of blue and green available...At 17, with the discovered of Corto Maltese, the comic's world burst open. My favourite authors are, in addition to Hugo Pratt: Milo Manara, Vittorio Giardino, Attilio Micheluzzi, Andrea Pazienza; among foreigners I like a lot Winsor McCoy with his Little Nemo,and L'eternauta di Francisco Solano Lopez e Hector German Oesterheld, but it will be crowds of authors to list!! I was about 20, when I enrolled at first for advertising graphics course and afterwards for a local comics school. The art question persisted latent for next years; I was involved in disparate experiences: skipper assistant on sailing boat, entertainment organiser and sail instructor in a holiday camp, ice-cream maker, paperhanger, wall painter, CAD draughtsman...And after all these youthful experiences, today I conduct the Civil engineering library for University of Pisa .In 1994 I enrolled for Photographic Club called "ALFA" in Livorno. Photography has been a flash, too. Having dozens of friends around, with your same passion was exciting. I remember that period with nostalgia. After that, I've begun to move on my own, researching, testing, and finishing with trasforming photography in a visual experience on the border between hallucination and adventure. Thanks to photography I've met incredible types; a good 90% during BAM meetings.After the very happy meeting with the master Mario Ferrante, (I owe him all my technical and spiritual knowledges about painting), in 2002, painting (another latency in my life), broke down the door separing myself from going along the patway of knowledge. From then on, fine-arts (painting, in detail) keep my head busy. It's with curiosity and dedication, often with obstinacy that I try to reach, through painting, a serene mental condition. I avoid, for now, to represent the world I live in, with his ugly things and degradations, recreating, on the contrary, an inward and idealized world. I use arts like a drug-addicted use heroin. And forgiven the harsh comparison...

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