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The Captain Print - Limited Edition of 1

Martyn Thompson

United Kingdom

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21 x 14 in ($184)

21 x 14 in ($184)

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$334
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About The Artwork

This image is hand printed with a dojang (Korean stamp) on hanji (Korean paper) using inju (Korean printing ink). It is mounted with white mount board and framed with a simple black wooden frame. Many media outlets were quick to point the finger at the captain who was captured absconding the sinking vessel in his underwear. The reports continued rolling in that he was not in control of the ship during the most arduous part of its journey, leaving only an inexperienced member of the crew to steer the ship. A lot of mystery as to why the ship was not evacuated immediately still exists, but the blame and accusations are still strongly directed towards Lee Joon-Seok. Using the Chinese character ‘蟲’ for ‘bug’, which carries strong connotations of cowardice and negligence, this piece questions the captain’s authority and actions during the time of the accident. Color theory was a key factor in this piece, with the red face suggesting embarrassment and hinting at the media’s evil discernment of Captain Lee. When coupled with the black hood, this brings a terrifying ‘bringer of death’ or grim reaper-esque analogy to the piece, echoing the articles of blame published by various media outlets. As a final note, in Western culture yellow denotes cowardice, so the background is evident in conveying this idea. 수 많은 언론들은 침몰하던 선체에서 속옷차림으로 줄행랑 치던 선장을 여지없이 손가락질 했다. 기자들은 위기의 순간에서 미숙한 선원들을 뒤로하고 조타실을 떠났던 그의 이야기를 거침 없이 쏟아 내었다. 왜 침몰 전 하선이 이루어지지 않았는가 에 대한 의문에도 불구하고, 여전히 이준석 선장에 대한 강한 비난과 추궁은 강하게 지적되었다. 경멸의 의미를 내포하는 ‘蟲’’(벌레 충)을 사용하여, 사건 내내 보여준 그의 비겁함과 태만함을 표현하려 했다. 미디어는 그를 악마적 존재로 취급했으며, 그의 붉은 얼굴은 이러한 악함과 그와 동시에 그가 느꼈을 당혹감을 강조하게 위해 의도되었다. 그리고 검은 후드를 둘러쓴 그의 모습은 저승사자를 비유적으로 표현한 것이다. 이러한 색체에 대한 구상은 작품의 주요 요소라 할 수 있다. 끝으로 서양 문화에서 노란색은 비겁함을 상징하며 이에 따라 작품의 배경으로 채색되었다.

Details & Dimensions

Print:Giclee on Canvas

Size:21 W x 14 H x 1.25 D in

Size with Frame:22.75 W x 15.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Martyn Thompson is an artist and photographer from the U.K. who established himself as an artist in Korea. After graduating from Northampton University, UK in 2007, with a degree in fine art, winning an award for his final show exhibition piece 'Moulding Myself' he moved straight to Korea. Upon graduating, Martyn pursued his personal studies of Korean video artist Baik Nam June. Producing art and finding exhibiting opportunities in a foreign country was difficult, because at the time there was little activity amongst fellow expatriate artists. A lot of perseverance was required, and after partaking in a few group exhibitions with the International Art Community, Martyn held his first white wall solo exhibition in 2011 at Gallery I in Insadong, Seoul. Despite some minor language communication problems, Martyn has continued working with the Gallery I owner, and forged a strong relationship to create more opportunities for foreign artists living in Korea. He is now considered a very reliable asset and communicative body by several galleries and foreign artists living in Korea. Martyn has exhibited extensively across the country since 2009, putting on four solo exhibitions, partaking in around twenty-five group exhibitions, and having just completed his fifth solo exhibition April 2015. In 2012, Martyn curated two exhibitions in Seoul and co-curated a further two in other cities across the peninsula as well as establishing the Professional Artist's Network Korea. PANK has now grown to include over eighty artists from fifteen different countries in just over two years, and is run by Martyn with a team of six dedicated volunteers. Martyn has curated a further seven group exhibitions, and helped a further five artists to hold solo exhibitions while continuously developing the PANK website and providing a vital resource for English speaking artists living in Korea. Martyn moved back to the U.K. in the summer of 2016 with his family and has recently begun working on a new series of images in a new style.

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