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United Kingdom
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Fine Art Paper
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6 x 12 in ($63)
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White ($80)
Following an exploration of universal iconography in its many expressions, I was compelled to create the series 'Iconography of the Future'. While religious icons guided people's beliefs in Medieval Europe through the scarce production of icons with massive social impact and spiritual content, the secular world generates vast amounts of imagery in a free, organic and ever-changing manner. No longer is there a single, standardized spiritual type of imagery guiding all people. This is was a turning point in the history of art. Limitless possibilities in styles, symbols, and chromatic diversity have now emerged to suit individual preferences in the digital era. I wondered how iconography would have evolved had the Medieval tradition followed its trajectory. Today's iconography would have to be abstract enough to capture the collective psyche, yet devised for individuals to recognize themselves within it. A digital icon guiding humankind at a time of transition, growing out of religion and into a new secular phase. It encompasses the sacred mandala structure, a spiritual compass that centres the mind and entre meditative states. Dynamic yet still, this futuristic icon symbolizes a dynamic process at a time of unparalleled freedom.
Print:Giclee on Fine Art Paper
Size:6 W x 12 H x 0.1 D in
Size with Frame:11.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
Sonia Ben Achoura creates innovative works of art at the intersection between art and science. With a Background in psychology, she depicts her insights into the psyche onto canvas. Her fascination with human nature at the present stage of evolution (characterised by pervasive interaction with technology) manifests in geometric compositions with futuristic overtones. Captivated by abstraction, her art nevertheless lies between the abstract and the figurative. The artist shapes light and colour as the basis for her compositions. Like intimations of perfection, her paintings are born out of an interplay between light and matter. She creates a world of vivid colour, dynamic forms, and geometric perfection. Her concern for the environment transpires throughout her body of work, as she contemplates future outcomes through her art. The potential for a partnership between mankind and nature is envisaged as she weaves organic forms over the fabric of robotic geometry.
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