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12 x 16 in ($95)
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Oil, ink & acrylic on paper. Frame needed. Oleander is one of the most poisonous of commonly grown garden plants, toxic in all its parts. The fact that beauty sometimes is intoxicating could take you to a terrible depression. In this society if you don´t match the ideals of beauty you will probably have a tough life. The idea here was to play with the double sense of beauty and how the poison of this plant, can invade your body and soul. We have to start re viewing our values.
Print:Giclee on Canvas
Size:12 W x 16 H x 1.25 D in
Size with Frame:13.75 W x 17.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Saatchi Art NFT artist #SaatchiArtNFTArtist #Fair Director's Pick Saatchi art AAF NYC Metropolitan Pavilion in Chelsea March 22 – 26, 2023 ART on Paper 2022 New York City www.kareninafabrizzi.com I have been always fascinated by nature, the behavior of animals, the way that flowers and plants grow and how we are a big part of it, the subtle injection of ambiguity that blurs the gap between the ordinary and the fantastic. In my work I want to bring nature closer to the observer, to connect people with their roots and memories. Organic elements are essential as they show us, like in a fairy tale, the link between the subconscious mind and the actual world. This, besides having an apparent dark side, also embodies a sense of fragility and Vulnerability, which seems to be a consistent characteristic of my work. Delicate graphite lines, a subtle oil color palette, ink and rice paper all amalgamate to create layer after layer a particularly dreamy look that distinguishes my work. About the technique Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer back to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which i prepare myself from scratch in the same way that the renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers, from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of color and form is achieved.
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