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Netherlands
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8 x 12 in ($40)
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This graphite pencil drawing ‘Berg en Dal – 30-10-23’ is my next one in the series of the same name. Doing the last one I really got the hang of it. That one was rather impressionistic than cubistic but I really don’t mind. I like the result nonetheless. However, a former drawing lingered in my mind, a scenery much more abstracted. That’s how it goes, from a more realistic approach to abstract. Years ago I also drew a cubist forest in the same municipality. It happens to be that I found the perfect reference picture. Therefor I was very eager to turn it into something beautiful. You see, last weekend I went to the actual place. There I took some pictures of wonderful hillsides with trees in Autumn colors. Not the abovemeant picture though. That one I took in the Summertime. It was in my folder of ideas on my computer still waiting to be used. The actual scenery was full of leafy structures. I believe it’s somewhere between the Jan Dommer van Polderveldtsweg and the Boterberg. Though leaves light was scattered across a narrow path lingering through the hills with tall trees marking it.
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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