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Thugs Scaling The Moral High Grounds Print

Deborah Stevenson

United States

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About The Artwork

This piece was created on May Day, 2015. It is composed of images from old LIFE magazines. One is a photo of the investiture of Franco's son in Spain. The other is a photo of farmers in Italy protesting the defaulting of their government on land reform. As it happens, May Day this year comes while the city of Baltimore, MD has erupted in protest over the death of Freddie Gray at the hands of the police, and it is a grim re-enactment of the actions that followed the assassination of MLK Jr. over 40 years ago, in 1968, in that very same city, on those very same streets. Since that civil unrest, the people living in the inner city of Baltimore have been punished with institutionalized disrespect and summarily disenfranchised. I lived and worked in this city, teaching art in those neighborhoods. This piece is in honor of the loss there.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Deborah Stevenson was born in Washington, DC. She grew up in Tokyo, went to high school in Baltimore, and got her BA from Sarah Lawrence College in New York. She lived for many years on the West Coast, and returned to the East Coast, where she lived in Brooklyn, NYC until 2015, when she relocated to the coastal town of Belfast, Maine. Artist Statement: My influences include the pioneer collage/surreal artists: Braque, Ernst, Hannah Hoch, Joseph Cornell, Magritte, to name a few, as well as the German Expressionists in all media. Other influences in visual media include masters in film and photography, both contemporary and classical. A life-long interest in Eastern philosophy and Jungian psychology have contributed to my fascination with allegory and symbology. Themes that recur in my work express metaphorically my exploration of concepts of power, beauty, the Feminine, and mysterious archetypal conjunctions. The work arises in an ‘automatic’ way; I do not set out with an objective or goal in my mind when I sit down to make something. The images compose themselves spontaneously as I mix and move the masses of paper around on the table in front of me. I feel as though my eyes and hands facilitate the ‘arrival’ of the pictures that I make. More than anything else, the process requires of me that I pay attention, and to be in a receptive state, so as to be ready to capture the dialogue."

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