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Wildflower Harmony Painting

Jean David

Australia

Painting, Oil on Canvas

Size: 15 W x 18.5 H x 2 D in

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Originally listed for $840
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About The Artwork

Mother Nature is a great teacher; she never misses a chance to make you smell the flowers and then takes them away. There, she says, “now produce a rose.” ― Nanette L Avery As an artist, it is constantly amazing how Mother Nature consistently gives you patterns, designs and colours if you take the time to take notice. In this particular case, these wildflowers had sprung up on the side of the road near our neighbour’s house, and I noticed them as I went on my daily walk, as the colours were simple, understated and elegant. Eventually, I gathered a few samples and took them back to the studio for some investigation into the possibilities of an abstraction using the colours and tones from the original scenario. Now, the reason I think this kind of thing works is that the wildflowers spring up naturally, and the colours just sing without having to try too hard. If, for example, I was to try to take a metropolitan flower bed outside a building in a city as my inspiration, it probably wouldn’t work, as the types of flowers (and their colours) that grow there did not get there naturally, but were most likely selected by the council to try and get as much ‘nature’ and ‘colour’ as possible. This inevitably provides a garish and (to my eye anyway) unharmonious riot of colour which tends not to calm. It is, however, still a lot better than the old concrete and tarmac. The approach I took here was quite simple – let the muted oranges and greens talk to each other, and play them against the colour notes of purples, pinks and blues which provide them with some space to be in. In addition, I am trying to disregard form more, and let abstraction give some variety.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:15 W x 18.5 H x 2 D in

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I’m Jean David, and I am an artist and art teacher. I have had a passion for painting and drawing all my life. These days, I will generally paint and draw anything that will be still enough for long enough to let me! I prefer to paint directly (ie with the actual subject matter in front of me, rather than a photo) either in the studio or out in the elements ‘en plein air’. To me, a well executed drawing or painting (mine or anyone else’s) can convey a truth more eloquently, an emotion or a feeling of human experience more truthfully than any other form of expression. I can still remember the first time I saw a Leonardo drawing in a text book – I was literally transfixed at how the world could be viewed in a different way other than how I had been brought up. To me, the Leonardo drawings were able to get directly to the heart of the matter, and disregard what he could not be bothered to ‘see’. Since my decision to become a full time artist some twenty something years ago, I have tirelessly pursued a goal to be able to just do it better. This has inevitable involved me going through a number of stages and phases, all of which have helped me acquire more experience and skills as I moved forward. It has long been touted that in order for an artist to develop, he/she needs to travel and experience different environments, so the journey is a physical one as well, and my wife (Isix) and I have lived in Australia, England, Wales, The Netherlands , Hong Kong and France, taking in many other countries along the way, including Spain, Portugal, Italy, Scotland, Germany, Croatia, Russia, Sweden, Crete, Fiji, New Caledonia.

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