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This work is a homage to two of my favorite artists Edwars Hopper and Andrew Wyeth. The woman that sitting on the floor and her pose was inspired by the work "Christina's World" by Wyeth. And a work with the light was taken from Hopper. Also a added more toxic color, so can be less realistic and natural.
This work is a homage to two of my favorite artists Edwars Hopper and Andrew Wyeth. The woman that sitting on the floor and her pose was inspired by the work "Christina's World" by Wyeth. And a work with the light was taken from Hopper. Also a added more toxic color, so can be less realistic and natural.
This work is a homage to two of my favorite artists Edwars Hopper and Andrew Wyeth. The woman that sitting on the floor and her pose was inspired by the work "Christina's World" by Wyeth. And a work with the light was taken from Hopper. Also a added more toxic color, so can be less realistic and natural.
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VIEW IN MY ROOM

Vertigo Painting

Ilya Kagan

Israel

Painting, Oil on Canvas

Size: 29.5 W x 47 H x 1.4 D in

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SOLD
Originally listed for $1,500
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About The Artwork

This work is a homage to two of my favorite artists Edwars Hopper and Andrew Wyeth. The woman that sitting on the floor and her pose was inspired by the work "Christina's World" by Wyeth. And a work with the light was taken from Hopper. Also a added more toxic color, so can be less realistic and natural.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:29.5 W x 47 H x 1.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Education: Shenkar College of Engineering, Design, Art Two things that I associate with my work are narrative and color, which came from childhood, from comics and cartoons. Over time, they found a new expression in my painting, undergoing a transformation and decomposing into its component parts. In my paintings, one way or another, I always works with narrative, even when it change into an abstract form. An equally significant part of my commitment to narrative is the love of cinematography, which I consider to be a kind of modern form of legends and new a part of new mythology.

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