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diptych on the wall (in context)
diptych in the studio on the wall
left part of the diptych: DEUS LO VULT. GOD WILLS IT
right part of the diptych: NO MORE SHALL MY MORNING RISE IN OUTREMER
left part of the diptych: DEUS LO VULT. GOD WILLS IT
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VIEW IN MY ROOM

UNDER A RAGING MOON (diptych) Painting

Christian Bahr

Germany

Painting, Acrylic on Canvas

Size: 102.4 W x 59.1 H x 0.8 D in

Ships in a Crate

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SOLD
Originally listed for $11,300
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121 Views
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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

UNDER A RAGING MOON (diptych) Diptych 2018 150 (h) x 260 (w) x 2 cm 59,1 (h) x 102,36 (w) x 0,79 in acrylic and oil on canvas LARGE STATEMENT PIECE LARGE-SCALED DIPTYCH Inspired by the history of the medieval Kingdom of Jerusalem and the fall of Acre 1291: Outremer (French: outre-mer, meaning "overseas") was a general name used for the Crusader states; it originated after victories of Europeans in the First Crusade and was applied to the County of Edessa, the Principality of Antioch, the County of Tripoli, and especially the Kingdom of Jerusalem. We hardly remember the names and the knightly bravery of the defenders, we hardly imagine the deepness of their religion and Christian motivation, but the fall of Acre was one of the most important battles of that medieval period. It signaled the end of the Jerusalem crusades. Acre was the capital of the Latin Kingdom of Jerusalem, a crusader state established by European Christian knights in the Southern Levant after the First Crusade in 1099. The kingdom lasted nearly two hundred years, from 1099 until 1291 when the last remaining possession, Acre, was destroyed by the Mamluks. Acre was well defended by knights, with two lines of thick walls and had twelve powerful towers (which were built by European kings and rich pilgrims). The siege began on the 6th April 1291. This diptych combines the following works and should be "read" from left to right: * DEUS LO VULT. GOD WILLS IT 2018. acrylic and oil on canvas 120 (w) x 150 (h) x 2 cm 47,2 (w) x 59,1 (h) x 0,79 in left part of the diptych * NO MORE SHALL MY MORNING RISE IN OUTREMER 2018. acrylic and oil on canvas 120 (w) x 150 (h) x 2 cm 47,2 (w) x 59,1 (h) x 0,79 in right part of the diptych * * * * “So wise so young, they say, do never live long.” ~ Shakespeare (Richard/Act 3, Scene 1) * * * * This diptych is a true LARGE STATEMENT PIECE for a large-scaled, aesthetic, finely nuanced impression on your wall. It is part of my authentic, profound message as an artist. Please read the very extensive, current interview about my art and painting philosophy on my English website (also available as PDF-file for download): www.7and1lives.de/philosophy Both paintings also are for sale as solitaire here at Saatchi Art and as the left and right part of the triptych THE FAITHFUL AND THE FALLEN (2018). This diptych offers a price advantage compared to the summarized single selling prices. For further information about the specific topic of each artwork and additional photos please visit the pages of the two single paintings at Saatchi Art. About the dimension: This diptych consists of 2 single paintings, each in acrylic and oil on canvas and each with dimensions of 120 (w) x 150 (h) x 2 cm / 47,2 (w) x 59,1 (h) x 0,79 inches. I prefer a hanging distance of 20 cm / 7,87 inches between the 2 single paintings. Complete dimensions of this artwork, including the hanging space between both paintings: 260 (w) x 150 (h) x 2 cm / 102,36 (w) x 59,1 (h) x 0,79 inches. I use exclusively oil and acrylic paints, canvas and wooden frames in a professional museum quality. The 3 paintings bear my signature on the front and they are signed, entitled and dated on the backside. Deliberately the sides (about 2 cm / 0,79 in wide) are no part of the paintings and show the black painted canvas. The paintings are unframed and ready to hang (on the backside: high-quality iron plates with metal inserts and nylon rope for gallery use), and they don’t need a frame or any additional surface treatment. Every painting needs a single hanging (no backside connections between the paintings). The diptych will be safely shipped in one custom wooden crate and accompanied by a certificate of authenticity and a cover letter. Please note: In context pictures are not necessarily to scale and are for illustrative purposes only. If you have any questions about this painting or any other piece, feel free to contact me and I’ll get back to you as soon as I can. Thanks so much for taking an interest in my work. Stay healthy. Warm wishes, Christian

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:102.4 W x 59.1 H x 0.8 D in

Number of Panels:2

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

CHRISTIAN BAHR has been a passionate, profound German painter and experienced draftsman for over 35 years, selling his works worldwide. His works can currently be found in private collections and public spaces in the US, Mexico, Canada, UK, China, Thailand, Australia, Spain, Portugal, Belgium, Germany, Poland, Malta, Sweden, Russia, Ukraine and Belarus. His atmospheric large paintings are poetry and artistic struggle at the same time. They capture both harmony and conflict, overall reflecting a strong aesthetic. He has participated in many national and international exhibitions. What he believes in: ........................................................................... “Not everything is art. But art is everything and everything breathes art in one way or another. Art is the true beauty of mankind.” ........................................................................... “I work in my studio nearby the big German coastal city of Hamburg, on the North sea. I’m a seeker as a painter, in search of answers. The single human takes center stage. I work constantly, with great passion and discipline on my further artistic way. I have a clear, strong painting philosophy. And I deal with philosophical, mythological as well as with historical subjects in my works.” ........................................................................... “I go my own way in my paintings. I find the source for my inspiration in me. Spontaneous action is the key, my preferred method. I work intuitively and in most cases without previous sketches, because I do not need a creative distance, I only reduce the view of our surroundings. Added value and clarity through abstraction. It must be rough, original, melancholic, dark, and yet at the same time bright, poetic, clear and full of hope. No maybe, no lukewarm. Every moment counts. That's exactly how I paint." ........................................................................... “Painting is a beauty, soul and passion, but sometimes fighting. A fight with myself, an endless struggle for colors and motif in my own conversation, as a rough internal dialogue. There are these days and nights, when I fight for every single brushstroke, when I question every color scheme. But it is good it is not always easy. Because each artistic battle is worthwhile and shows that I am - as an artist - still alive, breathing and developing.“ ...........................................................................

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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