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Poland
Painting, Oil on Canvas
Size: 47.2 W x 39.4 H x 0.8 D in
Ships in a Crate
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The blue sky was dominated by the breath of civilization, the river took on a dramatic appearance, although its character remained the same. Still untamed. The tree still bravely stood on the border of two worlds and leaned back dangerously. To this day I do not know if it is due to the excess of extinguished bulbs. Maybe it was the wind of change that bent the crown of the tree, or maybe it was a cry of nature, a signal, body language. May not the last word go into oblivion. Oil painting on thick stretcher and linen canvas
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:47.2 W x 39.4 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Poland.
Customs:Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.
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Poland
Initially, he dealt with black and white photography, which he learned during fashion photography. Here he got to know human faces and silhouettes of models in motion. This gave rise to fascination with contrasting figures for whom the background became a metropolitan landscape. He chose the Department of Art and Design, designed buildings, interiors of clubs and even sailing yachts. He discovered the secrets of painting in the studios of local artists, he trained a line and stain, from which he recreated such well-known scenery from photography. He loves urban landscapes and human gestures. Torn between Impressionism and abstraction, it tries to combine these two directions in an expressive expression. The most valuable is the economical color. Sometimes she feels the need for a collage. He sometimes likes to throw a "dirt" or a tactile object at the ready image. His paintings are in private collections both at home and abroad, and one of the most important events was qualifying for the Artbox Project and an exhibition of several paintings in New York in 2018.
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