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Neo Deco - 12-01-24 Painting

Corné Akkers

Netherlands

Painting, Oil on Canvas

Size: 31.5 W x 23.6 H x 0.8 D in

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About The Artwork

My New Style This oil painting ‘Neo Deco – 12-01-23’ incorporates new elements. Motivated as I was to continue my search after my last one I tried out something new. You see, some time ago I made a graphite pencil drawing ‘Woman in a Red Kimono – 03-11-22’. To my opinion that one already shows all the necessary elements for my new Neo Deco style. An intricate linear play, repetition of forms and foremost a contrast between straight structures and curves. Maybe I realized what I actually to want to get out of the style. It resembles art deco closely but I think there is a difference. The latter was merely focused on architecture, apparel and sculptures. There were some typical deco painters like Tamara de Lempicka. Surely I didn’t see all of them but they merely focus on exaggerating and manipulating body proportions. I have different plans! Woman in a Red Kimono Aforementioned drawing became the artistic motif for this one. The goal was to enforce linear structures almost as if I would treat this piece as a drawing. Together with my paradigm ‘variation in repetition and repetition in variation’ I pursued a result sound yet vibrant. Obviously the challenge was to find a suitable color scheme. Originally I planned the satin cloth to be blue. However, during the process of painting this started to become a drag. Of couse I was stuck to the theme and had to paint the kimono red. Hence a green underlayer and I even kept a lot green in the attire, cloth and couch. My regular model is of indian descendance and in certain lighting her skin complexion turns golden yellow. Conclusion: the satin had to become purplish. Oil on linen (60 x 80 cm) Artist: Corné Akkers

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 23.6 H x 0.8 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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