VIEW IN MY ROOM
Geometric Shapes Painting
Italy
Painting, Oil on Canvas
Size: 35.4 W x 47.2 H x 0.8 D in
Ships in a Crate
About The Artwork
Perhaps the painting shows the origins of my stressing the idea of a dualism in many of our realities - conveying both physical and mental aspects, constantly interwoven - both in our own self - as issues of Body and Mind, - and then projected in widespread realities as issues of multiform contests on Earth, linked with forms of developed Intelligence. The sphere, then - here seen as wrapping the earth, while floating in space - may symbolize, through its geometric properties, the search (in 'physical' terms) for harmony (today even turning into a symbol of ‘ideal’ globalization). The cone, in its turn, becomes the symbol of widespread Intelligence, seeking – with its apex pointed towards the sphere – constant contact, and even infusing, through its own geometric properties, the same search for harmony. Its base, above, conveys, through the perception of constant rotation, the potential wish towards the infinite.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:35.4 W x 47.2 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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To the lessons of Maria Dal Conte, my Teacher of Art at High School, and later, after University, to the lessons of Liliana Barbieri, an artist from Brera Academy in Milan, I owe most of my beginnings in artistic activity. To my teacher of Philosophy, Renato Tisato, and, later, to the acquaintance of Rossana Bossaglia, Professor of the History of Art, I think I owe a great deal as well.
As to the theme of a dualism in the mind - and of consequent forms of expression and techniques -
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