VIEW IN MY ROOM
Romania
Painting, Oil on Canvas
Size: 19.7 W x 27.6 H x 3.9 D in
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The Flamenco - Poem by Marieta Maglas In a juerga there's nothing around But voices, flamenco guitars, Dancing bodies in moonlight, Vibrant gypsy dresses, Passion, obsessions, Bullfighter's blades, Silk shawls, Dancers, Capes. Old men have faces scorched and cracked, Flamenco women to attract, Like barks of olive trees in night. Shirts dazzle white in the moonlight. Girls have boot heels and the roses, Men clench their teeth, step opposes, Hands clap and shout in a dance fight, Shirts dazzle white in the moonlight. Guitars are beaten at high speeds, Castanets scratch the music's seeds, Rhythmic fingers snap air to bite, Shirts dazzle white in the moonlight. Old men have faces scorched and cracked, Shirts dazzle white in the moonlight. Hands becoming wings In their shadows on the wall, Red becoming black and Black becoming white, Motion vibrating the guitar's string, Cubic movements of colors, In their dance, Shadowy wings becoming scarfs, Flamenco woman arching her body, Showing her passion… From the soul to dissolve The dancing sounds detach From the soul to dissolve When the movement they catch, They may change all around, The dancing sounds detach. Drums and tambourines' sound, Exotic wrists and swirls, They may change all around. The weightless grace makes girls Steal treasures from the air, Exotic wrists and swirls. With beautiful black hair, Rise like birds, fall like leaves. Steal treasures from the air, Having tricked up their sleeves, From the soul to dissolve, Rise like birds, fall like leaves From the soul to dissolve. Spicy slippery steps Waiting for a clue, Picking up portions of pink Of hyper-femininity, Overflowing screwy sounds In heavy red chromesthesia, Morphing themselves into glamorous, Red feminine movements, Men looking like marble statues being alive, Seemingly cracking. Slowly diminishing their dancing rhythm, Steps cutting sweet sounds To hear the horn of some lost happiness.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 27.6 H x 3.9 D in
Frame:Patina
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Romania.
Customs:Shipments from Romania may experience delays due to country's regulations for exporting valuable artworks.
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Romania
All my paintings have in common a mental reality, not a physical one. I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting. I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized. I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting. In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size. I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized. In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search. I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both. This is what those who have already started digesting my paintings from the three years since I woke up in painting know this. So let's see outside what is not foreign to us inside!
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