VIEW IN MY ROOM
United Kingdom
Painting, Oil on Canvas
Size: 12 W x 16 H x 1 D in
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Eurydice Orpheus travels to the Underworld, the kingdom of Hades, to reclaim, retrieve his wife, Eurydice. He lulls Hades, through his art in music, Hades agrees to let Orpheus take Eurydice back to the living world but, as they journey to the upper world and as she follows him into the light, he must not look back. Orpheus believes the Gods have forsaken and deluded him, his belief, that it is only Eurydice, in form of shadow that follows him. As he resurfaces from the underworld, he turns to look back, he sees Eurydice and, in that turn, he has lost her forever. Garden of the Heart (Amaranthus) At the bottom of the hill, there lies a small garden. Enclosed by a wall, gated and locked. The garden is moonlit, shadowy, silent. It is winter, and plants show no presence, above ground. They lie hidden, earthbound, cold. They await the spring sun, and its eventual rise above the hill. Then once again, the gate will be unlocked, the garden will be tended, cared for, loved. And in this warmth, shoots will rise, foliage will strengthen, and in turn, flower.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:12 W x 16 H x 1 D in
Frame:Black
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Born 1961,Johnstone ,Scotland
what we see and what we perceive differ. Landscapes hold and assimilate ideas and concepts. They alter our thoughts and amalgamate time, of what we have seen and what we want to see. Landscapes are historical, spiritual and psychological, a connection between us as artist and viewer - spaces out of time but imbued by a sense of place and personal identity. His paintings deals with a temporal world, a language of what we might have and what we hope to have
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