VIEW IN MY ROOM
Canada
Painting, Gouache on Paper
Size: 26 W x 18 H x 0.1 D in
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Painting based on still from above film, Peter Sellers, Orson Wells and Ursula Andress in the picture. Casino Royale (1967 film) From Wikipedia, the free encyclopedia, This article is about the 1967 film. Casino Royale is a 1967 British-American spy parody film originally produced by Columbia Pictures featuring an ensemble cast. It is loosely based on Ian Fleming's first James Bond novel. The film stars David Niven as the "original" Bond, Sir James Bond 007. Forced out of retirement to investigate the deaths and disappearances of international spies, he soon battles the mysterious Dr. Noah and SMERSH. The film's tagline: "Casino Royale is too much... for one James Bond!" refers to Bond's ruse to mislead SMERSH in which six other agents are pretending to be "James Bond", namely, baccarat master Evelyn Tremble (Peter Sellers); millionaire spy Vesper Lynd (Ursula Andress); Bond's secretary Miss Moneypenny (Barbara Bouchet); Bond's daughter by Mata Hari, Mata Bond (Joanna Pettet); and British agents Coop (Terence Cooper) and The Detainer (Daliah Lavi). Charles K. Feldman, the producer, had acquired the film rights in 1960 and had attempted to get Casino Royale made as an Eon Productions Bond film; however, Feldman and the producers of the Eon series, Albert R. Broccoli and Harry Saltzman, failed to come to terms. Believing that he could not compete with the Eon series, Feldman resolved to produce the film as a satire. The budget escalated as various directors and writers became involved in the production, and actors expressed dissatisfaction with the project. Casino Royale was released on 13 April 1967, two months prior to Eon's fifth Bond movie, You Only Live Twice. The film was a financial success, grossing over $41.7 million worldwide, and Burt Bacharach's musical score was praised, earning him an Oscar nomination for the song "The Look of Love". Critical reception to Casino Royale, however, was generally negative, with many reviewers regarding it as a baffling, disorganised affair. Since 1999, the film's rights have been held by Metro-Goldwyn-Mayer, distributors of the official Bond films by Eon Productions.
Painting:Gouache on Paper
Original:One-of-a-kind Artwork
Size:26 W x 18 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
I paint in a style for a period of a four to six weeks or so untill I get bored and pick up another style, I tend alternate between tighter realist styles and looser more abstract styles, subject matter changes but there are definite reocurring themes. Beaches, pools, bathers, scenes from classic films, history... forming a backdrop to my own meditation on the subject. Within that space I focus on expressions of social dynamics. In this sense I feel I am more of a traditionalist as I attempt to relate back to painting history and pull away from the other media -film and photo- which ironically inform and are sometimes the starting point of my work. On a formal level I am currently focused on extending and strengthening my colour palette, for example in many of the scenes I will incorporate primary and complementary colour dynamics - cool versus warm– to create spatial tension the way Richard Diebenkorn was able to so successfully; a large ocean/pool blue or tree green punctuated by a small area of skin tone or a bright red or yellow umbrella or swimming suit. I find in much of my painting I cannot easily separate nostalgia for a bygone era, the sensual from more specific contemporary iconography of human interaction. I think this makes the subject-matter multi-layered and keeps me interested in making work. Hopefully it makes it more interesting to the viewer as well.
Artist featured by Saatchi Art in a collection
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