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Can you feel the Blue Painting

Danielle van Broekhoven

Netherlands

Painting, Acrylic on Other

Size: 5.9 W x 10.6 H x 3.1 D in

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$660

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116 Views
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About The Artwork

A dreamy 3D painting which has sculptural qualities. The intens blue colors make it a poetic painting of a plant. The plant is called 'Heermoes' in Dutch (Field Horsetail in English) which is known to be one of the most ancient plants in history of the earth...together with mosses and ferns. It is also a true survivor; it was the first plant that, after the eruption of the volcano Mount St. Helena in 1980 in the United States, reappeared on the slope of that volcano. Even on industrial sites with pollution or exhausted and heavily compacted soil, the plant is often the first to arrive and the last to disappear. In the work the horsetail is printed in the paint in a mono-printing technique. I painted this on a yogablock of cork. This gives the work a soft an smooth finish. I tried to capture the mystic beauty of nature. You can choose how to expose the work in your home. It can be hung on the wall by using the hole inn the back to mount it onto the wall, or you can have it standing on a shelf,cabinet or whatever place you like.

Details & Dimensions

Painting:Acrylic on Other

Original:One-of-a-kind Artwork

Size:5.9 W x 10.6 H x 3.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

About the work of Danielle van Broekhoven During walks at home and abroad, Danielle constantly gives up impressions that could be painted. She photographs these or stores them in her memory. Once in the studio, the photos evoke images. Without preliminary studies or sketches, she starts an intuitive painting process. “I also put the photos I have taken aside, because I try to let go of everything I have seen and to trust my feelings. My "seeing" slowly pulls me through the painting process and creates entirely unique "landscapes". Sometimes recognizable, but often not. ” The strength of her works is based on the interaction between herself and the painting in the making. While experimenting with paint and other materials, memories come to mind, but the action in the studio, the dialogue between her and the works created at that moment, is always leading. Painting in this phase is very intuitive, active and physical. During the painting in layers, the canvas is alternately laid down and placed upright. Large pools of acrylic paint are poured over oil paint. Parts are (again) polished away, other parts are highlighted and extra emphasized by a new layer of paint. “The colors I choose at that moment know more than I do! It is very much about feeling at this stage. Thinking back to the images that I have saved, I see movements, surfaces and light-dark divisions. ” In the striking, powerful gestures with which she applies the paint, there is a certain audacity in handwriting and brushstrokes, a determination in choosing and treating her materials. Without being fully aware of it, she brings those characteristics together in paintings that ultimately always "burst with energy and harmony."

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