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“Notice that autumn is more the season of the soul than of nature.”

Friedrich Nietzsche

I have been plein air painting for a number of years now, carting my equipment around seeking to find really striking vistas to paint. That was, of course that I eventually realised that it’s rather difficult if not impossible to find the perfect scenario, ie little farm house nestled in the trees on a sunny day with a path winding invitingly into it. So I started to do what a lot of painters do, ie move things around a bit, put an extra tree or two in to fix up the composition, change the value of the light/shadows etc. This solves several logistic problems, and a lot of time and petrol.

So, I now still love to go out to get the feel of the outdoors and the light, but unless something unusually great is just there, I paint an amalgamation of what I see, and what ever else I think would suit. This one, for example started off as three trees along the side of the road in Autumn (see photo below), but eventually morphed into what you see now, an autumn dusk. So, I have come up with a saying of my own which I am sure I’ve heard before (maybe Richard Schmid)

‘Just because it’s there you don’t have to paint it, and just because it’s not there doesn’t mean you can’t paint it!’ Attributed to dozens of painters, including yours truly.
“Notice that autumn is more the season of the soul than of nature.”

Friedrich Nietzsche

I have been plein air painting for a number of years now, carting my equipment around seeking to find really striking vistas to paint. That was, of course that I eventually realised that it’s rather difficult if not impossible to find the perfect scenario, ie little farm house nestled in the trees on a sunny day with a path winding invitingly into it. So I started to do what a lot of painters do, ie move things around a bit, put an extra tree or two in to fix up the composition, change the value of the light/shadows etc. This solves several logistic problems, and a lot of time and petrol.

So, I now still love to go out to get the feel of the outdoors and the light, but unless something unusually great is just there, I paint an amalgamation of what I see, and what ever else I think would suit. This one, for example started off as three trees along the side of the road in Autumn (see photo below), but eventually morphed into what you see now, an autumn dusk. So, I have come up with a saying of my own which I am sure I’ve heard before (maybe Richard Schmid)

‘Just because it’s there you don’t have to paint it, and just because it’s not there doesn’t mean you can’t paint it!’ Attributed to dozens of painters, including yours truly.
“Notice that autumn is more the season of the soul than of nature.”

Friedrich Nietzsche

I have been plein air painting for a number of years now, carting my equipment around seeking to find really striking vistas to paint. That was, of course that I eventually realised that it’s rather difficult if not impossible to find the perfect scenario, ie little farm house nestled in the trees on a sunny day with a path winding invitingly into it. So I started to do what a lot of painters do, ie move things around a bit, put an extra tree or two in to fix up the composition, change the value of the light/shadows etc. This solves several logistic problems, and a lot of time and petrol.

So, I now still love to go out to get the feel of the outdoors and the light, but unless something unusually great is just there, I paint an amalgamation of what I see, and what ever else I think would suit. This one, for example started off as three trees along the side of the road in Autumn (see photo below), but eventually morphed into what you see now, an autumn dusk. So, I have come up with a saying of my own which I am sure I’ve heard before (maybe Richard Schmid)

‘Just because it’s there you don’t have to paint it, and just because it’s not there doesn’t mean you can’t paint it!’ Attributed to dozens of painters, including yours truly.
“Notice that autumn is more the season of the soul than of nature.”

Friedrich Nietzsche

I have been plein air painting for a number of years now, carting my equipment around seeking to find really striking vistas to paint. That was, of course that I eventually realised that it’s rather difficult if not impossible to find the perfect scenario, ie little farm house nestled in the trees on a sunny day with a path winding invitingly into it. So I started to do what a lot of painters do, ie move things around a bit, put an extra tree or two in to fix up the composition, change the value of the light/shadows etc. This solves several logistic problems, and a lot of time and petrol.

So, I now still love to go out to get the feel of the outdoors and the light, but unless something unusually great is just there, I paint an amalgamation of what I see, and what ever else I think would suit. This one, for example started off as three trees along the side of the road in Autumn (see photo below), but eventually morphed into what you see now, an autumn dusk. So, I have come up with a saying of my own which I am sure I’ve heard before (maybe Richard Schmid)

‘Just because it’s there you don’t have to paint it, and just because it’s not there doesn’t mean you can’t paint it!’ Attributed to dozens of painters, including yours truly.
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Autumn Dusk Painting

Jean David

Australia

Painting, Oil on Canvas

Size: 25.6 W x 19.7 H x 2 D in

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About The Artwork

“Notice that autumn is more the season of the soul than of nature.” Friedrich Nietzsche I have been plein air painting for a number of years now, carting my equipment around seeking to find really striking vistas to paint. That was, of course that I eventually realised that it’s rather difficult if not impossible to find the perfect scenario, ie little farm house nestled in the trees on a sunny day with a path winding invitingly into it. So I started to do what a lot of painters do, ie move things around a bit, put an extra tree or two in to fix up the composition, change the value of the light/shadows etc. This solves several logistic problems, and a lot of time and petrol. So, I now still love to go out to get the feel of the outdoors and the light, but unless something unusually great is just there, I paint an amalgamation of what I see, and what ever else I think would suit. This one, for example started off as three trees along the side of the road in Autumn (see photo below), but eventually morphed into what you see now, an autumn dusk. So, I have come up with a saying of my own which I am sure I’ve heard before (maybe Richard Schmid) ‘Just because it’s there you don’t have to paint it, and just because it’s not there doesn’t mean you can’t paint it!’ Attributed to dozens of painters, including yours truly.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:25.6 W x 19.7 H x 2 D in

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I’m Jean David, and I am an artist and art teacher. I have had a passion for painting and drawing all my life. These days, I will generally paint and draw anything that will be still enough for long enough to let me! I prefer to paint directly (ie with the actual subject matter in front of me, rather than a photo) either in the studio or out in the elements ‘en plein air’. To me, a well executed drawing or painting (mine or anyone else’s) can convey a truth more eloquently, an emotion or a feeling of human experience more truthfully than any other form of expression. I can still remember the first time I saw a Leonardo drawing in a text book – I was literally transfixed at how the world could be viewed in a different way other than how I had been brought up. To me, the Leonardo drawings were able to get directly to the heart of the matter, and disregard what he could not be bothered to ‘see’. Since my decision to become a full time artist some twenty something years ago, I have tirelessly pursued a goal to be able to just do it better. This has inevitable involved me going through a number of stages and phases, all of which have helped me acquire more experience and skills as I moved forward. It has long been touted that in order for an artist to develop, he/she needs to travel and experience different environments, so the journey is a physical one as well, and my wife (Isix) and I have lived in Australia, England, Wales, The Netherlands , Hong Kong and France, taking in many other countries along the way, including Spain, Portugal, Italy, Scotland, Germany, Croatia, Russia, Sweden, Crete, Fiji, New Caledonia.

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