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Netherlands
Drawing, Graphite on Paper
Size: 11.7 W x 8.3 H x 0 D in
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The Proud Brothers – 04-01-21 The Bigger the Lie How can The Blues Brothers turn into The Proud Brothers? That is simple enough. Take a big country and turn it into a madhouse. Divide the people by questioning every truth and replace them with lies. Put Mein Kampf’s lessons into practise: a) The bigger the lie, the more people tend to believe it and b) the power of repetition. It will create a nation of proud people and proud boys. Surely these times call for The Blues Brothers! The Movie Of course I liked the movie right from the start and I guess all of us did. Besides the music and dreamcast it creates a wonderful atmosphere in which everything seems to flow naturally. Whether it is a rublbe pile of crashed cars or a wall of sorry lies and lucky mishaps behind which the brothers tend to get away with it all, it is all eye and ear candy. Black and White With Trump’s rethorics in mind, backed by a silent 50% of the population and counterpartered by movements such as Black Lives Matter, one thing struck me as striking indeed. In the movie there is equality between black and white. In fact, there are no real referrals to the difference of skin colors. Instead, it is only the music that counts. Radical elements like Illinous Nazi’s are just rammed off the road. Can we return to this America and enter the Soul Food Café (as long as they don’t serve chitlins)? Perhaps a foolish dream but I am not the only one. See my other art statement on this topic here. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers Sales: info@corneakkers.com
Drawing:Graphite on Paper
Original:One-of-a-kind Artwork
Size:11.7 W x 8.3 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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