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The Cuban Drawing

Ali ZÜLFIKAR

Germany

Drawing, Pencil on Canvas

Size: 55.1 W x 78.7 H x 2.8 D in

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About The Artwork

EXHIBITION IN THE GALLERY 1831 // Paris // « A whiter shade of white exhibition » The exhibition will start the thursday 1er of september and the opening will be the tuesday 13 of septembre 2016. Ali Zülfikar was born in 1971 in Milelis in Turkey and studied art at Firat University under Professor Memduh Kuzay. His success began early, with his work already curated since 1993 at meanwhile over 170 international exhibitions and museums. We are delighted to display Ali Zülfikar’s masterly portrait drawings on canvas and handmade paper, drawings that he never reworks, this being a distinguishing feature of his approach. It is the highest goal of a portraitist to understand and make visible the soul and life of a person, and this is something that Zülfikar achieves in a unique way: It is above all the pictures of old people that unfurl in his hands an emotional intensity that comprehends the wisdom and dignity of lived experience and bring to the topic of old age a novel and positive serenity. As a master of his craft, he develops in his drawings detailed structures that, seen from a distance, create a strong presence, while viewed close-up there is a tension between the spatial depth and proportions which generates the effect of relief by using layers and ruptures in the flow of the lines. Most of those portrayed arouse the sympathy of the observer. Either it is the wakeful eyes that attract or else a tension in the features that signals living energy. In the case of “Oo No!” both apply. The faces of the women have often something warming, motherly, patient, although it is difficult to say what it is exactly that elicits this perception. But one finds oneself stopping to admire, too, “Genuß/Pleasure”, which is the portrait of an engaging, smiling woman with surprisingly soft features. The outstanding feature of Picasso’s wonderful head is clearly the striking physiognomy in which his determination is reflected. A vigorous curiosity speaks from his large eyes. Less trust-inspiring contemporaries, too, provoke fascination such as “Curse of the Caribbean”. Seen in profile, the old unshaven man has his mouth open. Must one fear him, or is this an unkempt person who deserves compassion? It is Ali Zülfikar’s achievement that his pictures provoke such questions. His portraits pull the observer into the stories that they tell – through their eyes, their facial expressions, their tense features. He is without doubt a great draughtsman whose understanding for the unmistakeable lifelines of people is undeniable. Ali Zülfikar brings his oversized portraits up close to the observer and shows them in an unusually intense light: each furrow or scar, each ever so fine hair, is captured in the drawings. By presenting his portraits in oversize dimensions, and also strongly modulated, he creates a monument of human feeling and a lived life. Dr. Stephanie Eckhardt | Cologne, 06/06/2016

Details & Dimensions

Drawing:Pencil on Canvas

Original:One-of-a-kind Artwork

Size:55.1 W x 78.7 H x 2.8 D in

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ALI ZÜLFIKAR | biography | exhibitions | art projects • Born 1970(1971) in Yavuzeli / Turkey • 1989-95 Studies at the Firat University in Elazig by Prof. Memduh Kuzey and Cemal Arslan • Members of the © VG Bild-Kunst, Bonn 2018 • currently working as a freelance artist in Cologne The House of the History of the Federal Republic of Germany Foundation acquired the work "Greta" by the artist Ali Zülfikar for the museum. In 2020, 2021 and 2022 he received three grants from the Ministry of Culture and Science of the State of North Rhine-Westphalia and a studio funded by the city of Cologne. Ali Zülfikar's art works are admired by numerous art connoisseurs worldwide. So far, these have been shown in around 200 international solo and group exhibitions and museums. In 2018, Zülfikar got into trouble in the Stadthalle in Linz/Rhein with a critical work showing Turkish President Erdogan. At that time, the Turkish Consul General Sibel Müderrisoglu intervened, and the city of Linz initially caved in too. Only Quote from Dr. Stephanie Eckhardt Ali Zülfikar was born in Turkey in 1971, he is a master. Not because of its numerous international exhibitions up to the USA, but mainly because of his portraits. These are masterpieces of this genre. The first view already let us think of of the masterpieces of Dürer and Leonardo. The traces in the faces are like storms that colors as a natural symphony. Zülfikar has chosen a difficult task to work with these kind of portraits. He developed a deep pictorial space on each face. Layer by layer, he works out the personality of the people trapped in the perspective and freely becoming simultaneously. So the portraits like arising out of itself. Clearly, this process is on the structural quality of his painting, which appears like a mysterious sphere. For example, his art depicting old people, the art of aging. The age of each person shows a distinguished face, tells of sadness, joy, anger, happiness and sorrow. Zülfikar reads in the faces, researched and analyzed them, gives us a view of their own future. Some portraits are genderless, it is hard to tell if it is a woman or a man. Ali Zülfikar seems to recognize the beauty of creation itself at the age of man. Thematically, it focuses on the people and creates a new image of him. It is characterized in the faces of the questions of life and the answer alike in: peace, silence, as it might only know the age.

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