VIEW IN MY ROOM
United Kingdom
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Fine Art Paper
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12 x 9 in ($43)
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White ($80)
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Subterranean plan of Borley Rectory. Borley Rectory has often been referred to as 'the most haunted house in England'. There have been sightings of phantom coaches, a nun, a headless man. I have used symbols such as a nun, cupid and well to plot events on the plan. Borley Rectory also had strange events also occurred below ground. When the well was excavated human remains were discovered. A woman's jaw bone was found and part of a human skull was removed from the well. The paper may appear a little crumpled as I have used paper from the 1950's. I often draw on top of old plans. I have managed to find old plans with large ares with out any print on them. I then cut out these segments and drew on them. I intended the drawings to have a feel that they are from the past.
Print:Giclee on Fine Art Paper
Size:12 W x 9 H x 0.1 D in
Size with Frame:17.25 W x 14.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
I create sculpture, animation, installations, drawings and sound pieces. For inspiration I look to: Susie Templeton, Kara Walker, Yuri Norstein, Hew Locke, Susan Hiller, Ruth Ringgold, Tove Jansson and Willard Wigan. I'm currently creating a stop motion animation 'Heirlooms', which is about a group of children who are haunted by the faceless ghost of Peg Prowler. The voyeuristic aspect of my work may stem from a childhood wish to gain access to restricted spaces (such as a hidden room in a dollhouse). My work involves the frustration of being prevented from fulfilling wishes, by only allowing glimpses of these inaccessible worlds. By creating intricate, small worlds I am suggesting the desire to retreat from something threatening like society. Yet I am also interested in the contradictions and conflict this inspires; it appears that by reducing the world to a small and repetitious environment you create a sense of safety, but perhaps all you are doing is internalising the initial threat. Images such as rats eating from dining room tables not only evoke feelings of disgust but of childish play. I am perhaps attempting to control fragile memories and perceptions of childhood built on cardboard foundations. The structures I create are deliberately unsecure, unsound, in order to summon up an atmosphere of unease, this is a fragile world that could topple down at any moment. Cardboard is also interesting to work with, as it is often viewed as a 'poor' material, only salvaged by the dispossessed.
Artist featured by Saatchi Art in a collection
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