VIEW IN MY ROOM
The End Photograph
United States
Photography, Digital on Other
Size: 0.4 W x 0.4 H x 0.1 D in
About The Artwork
Arthur Miller advised me not to write (love letters II) Typewriter, modified QWERTY keyboard replaced with letters, (Helvetica bold) – “I’m not writing to you” OR QWERT keyboard replaced with characters, (Helvetica bold), used in miller’s sentence: “YOUCANQICKERBMLDSTHWGVY” Paper in machine hand printed/stamped “(just remember kid), you can quicker get back a million dollars that was stole than a word that you gave away” The veteran communication machine the typewriter placed in a contemporary environment. Her words continue to exist after my attachment to them has perished. Her statement is an anachronism. Our relationship sits dormant in my present and her final words cease to be embers for the future rekindling of our relationship; her words have become to me passive and inanimate a collection of characters. Her command is a stratagem, which, because of its inherent qualities, is unable to achieve the end it was designed to bring about. A depiction of the actions of an abandoned lover: The need to declare the falling out of love as vehemently as once was declared the falling in to it. Phone-calls to report that there will be no more phone-calls. Visits to vent that the visits have stopped: The repeated statement of a position opposite to one being made.
Details & Dimensions
Photography:Digital on Other
Original:One-of-a-kind Artwork
Size:0.4 W x 0.4 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
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United States
During my studies at Montana State University, under the tutelage of Jeffrey Conger, I was asked to create a multitude of potential resolutions to the questions and challenges presented by each brief.
During my time at Cranbrook Academy of Art I once again thrust myself into the rigor of making work, and in making work, more work evolves/is created. Through inter-department audits and with the Photography department I was able to develop a set of tools to help first with design and second to achieve through photography a voice that compared to my design sensibilities. Throughout my Fulbright in Riga, Latvia I challenged myself daily with design projects and photography ideas. Specifically I wanted to try and develop a cataloging system for a city, through the use of digital images and digital printing. I systematically documented a city by breaking it down to the essence and then exhausting those elements before moving on and moving forward to the next segment. For example, documenting every door within the prescribed area, after which moving onto corner shops, garbage bins, neon, scaffolding, taxi stands, bus stands and trolley stands. In doing so I was able to see each unit of the city before I viewed the city as a whole. By breaking down Riga, I started seeing patterns within other cities I traveled within Latvia as further research. This research became a project shown in the country section of the Venice Biennale.
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