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Slash, 2010 Photograph

Eva Kalpadaki

United Kingdom

Photography, Giclée on Other

Size: 13.9 W x 17.7 H x 14.2 D in

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775 Views
7

About The Artwork

With this piece I present the audience with an artefact, a document of Photography, in a conceptual play to subvert the idea associated with it of seamlessly recording everything that stands out there in the world in front of the camera’s lens. I enter a performative act of slashing the surface of an unexposed 5x4˝ black and white negative. A cameraless image produced from scanning the processed negative becomes the witness of this violent act as it carries all the traces of her forceful gesture that disturbs the flatness of its seamless surface. The visual result is an abstract pictorial space, which seems to be ‘bleeding’ from the traces caused by the deformation act of slashing. My work is concerned with issues regarding the utopian idea of ‘flatness’ of modernist painting and the ‘seamlessness’ of photography, which I challenge by engaging in the abstract expressionist act of slashing the medium’s surface that resonates with Lucio Fontana’s 1960 Spatial Concept `Waiting'. But unlike Fontana’s elaborate act of cutting the raw canvas, here I have forcefully violated the surface of the negative in an attempt to beat its resistance. Blindly handling the negative in a dark bag, my only guide were the tactile sensations between my hands and the materiality of the negative. Inkjet Archival print on pearl finish paper, 36x45 cm

Details & Dimensions

Photography:Giclée on Other

Original:One-of-a-kind Artwork

Size:13.9 W x 17.7 H x 14.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I love flirting with reality, which is always a challenge for me. My photographic practice is concerned with the perception of space, particularly of empty space from a psychoanalytical perspective, and the photographic representation of it in an abstract form as presented in the projects "˜Empty Space', "˜Part Objects' and "˜Red Space'. These works, which are based on using quiet and discreet performative gestures of intervening in the space, brought up a passion and interest in the potentialities of the line in relation to my experience with my surrounding space. Inspired by the abstract expressionist qualities in the images from the series "˜Red Space', I am currently exploring this by using the space of Photography as my canvas, which at the same time operates as a self-referential space for Photography itself. A first example of this can be seen in the image Slash, 2010.

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