to south Painting

enzamiglietta@gmail.com Enza Miglietta was born in S. Pietro Vernotico (Brindisi) Italy in 1953She experiments her first personal in Italy, in 1988, than she moves abroad.She is author of covered of poetry and prose.Her works are part of public and private international collections, in Italy we can find her works in the Civic Gallery of Rovereto.The informal guesture of the picture of Enza Miglietta has matured after many years of research. Her vision rests on the thoughts of the American avantgardists after the 2nd WW. The heat of the emotions and the gesture is intensive like it was a physical act.This dualism, gesture and emotion, sign and color introduced on canvas, or better still in space and disposition in decisive mode regular. The rotellian rhetoric with the informality are the Key to learn and comprehend this potique artistique Enza Miglietta: written words inserted into the total work is a distinctive sign, but overall, concrete passage into the picture. With this gesture declaration of fragile identity of our contemporaries, with a word or a label, logo or non-logo; annul these contemporary references with colors and collages is a characteristic primordial of her Art. Reflection. Meditation. You need to stop awhile in front of a canvas or a design of Enza Miglietta to gasp and distinguish her free spirit, provocative but also witnessing the constant movement of one contemporary society. Few essential signs guide discussion and dialogue with admiring onlooker in front the painting. (Patrick Maffei)and..Enza Miglietta Muri di sopravvivenzaNon sono solo i muri che permettono ad Enza Miglietta di raccogliere i messaggi itineranti, le scansioni cosmiche, i graffiti ancestrali, ma anche i monili, le composizioni, le istallazioni minime che ugualmente catalizzano il flusso esistente come pu fare un magnete con limatura di ferro.Ma i muri restano il segno pi incisivo del suo guardare. S, guardare. Attraverso il suo sguardo ci si rendono manifeste le vere intenzioni degli dei, i bisbigli, le traiettorie, le apparentemente confuse semiologie, crittografie. Una sorta di pensiero debole del graffiti primordiale. Come questultimo il tratto di Enza non vuole svelare alcun arcano, n ricostituire verit perdute, n stilare una cronaca dellaccaduto attraverso i suoi simboli, operazioni che di per s ingenerano sovente nuove confusioni.