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Tryptichon Painting

Marlies Pekarek

Painting, Watercolor on Paper

Size: 141.7 W x 83.9 H x 2.8 D in

This artwork is not for sale.
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About The Artwork

Princess Elizabeth Stuart After Robert Peake (circa 1606) Queen Elizabeth I After a drawing by Isaac Oliver (circa 1592–1595) Elizabeth Charlotte of the Palatinate After an unknown print (circa 1697) Watercolour on wax paper, framed In the triptych we meet the English Queen Elizabeth I, who seems to be playing with the globe as a signifier of her might, while Princess Elizabeth Stuart, the “pearl of Britain”, holds her dainty head between her hands like a purse. The sister-in-law of Louis XIV joins them, namely Elizabeth Charlotte, Madame Palatinate, Duchess of Orléans, who had once moaned in her diary: “Being a Madame is dismal handiwork.” Several sheets of pink water-repellent transparent paper were sewn together and Madonnas and heroines were painted on them in water color. The sparkling black forms textile-like patterns. Filigreed, lush and sublime, the grand heroines, despite all their fragility, seem to defy all precarious world happenings and to preserve their existence as patron goddesses.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:141.7 W x 83.9 H x 2.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Marlies Pekarek born 1957 in Berne, Switzerland. Lives and works as an artist and designer in St. Gallen, Switzerland. Studied for 3 years in Zurich for a Bachelor degree and a further 3 years in Lismore, Australia for a MA. The work of Marlies Pekarek is founded on the two principals of reflection and intuition. At every crossing her works are packed with seemingly contrary statements, articulating contradictions that we humans create every day. In her drawings and objects, her photography, collage and installations, Pekarek draws upon the dialogue between inner and outer, individual and mass, right and wrong. All her work, including the Dripping-wet collection products possess content and strength of statement, revolving around the question of being Human, cut loose by a cultural and timely displacement. Marlies Pekarek is offering a series of unusual objects for everyday use. She presents us with a set of soap figures, tentative in appearance, arranged into sequences and groups.The multiple production of these items and the material used, qualifies them as consumer product, and yet these soap figures also act as Communicators, conveying meaning and evoking contemplation: soap is needed for washing; soap is an everyday material; soap has odour. Marlies Pekarek turns the mundane of the everyday object into pieces of sensitive art which put the mechanisms of valuation into question, behind uniformity lies individuality. The polarity of value and trash, art and mass production, meet and cross over. Here, art is consumer product, and consumer product is art.Ursula Badrutt Schoch (artcritic) translated by Rachel Lumsden

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