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“The Vices of Men” - 60” x 48” x 1.5” Acrylic and Cut-Paper on gallery wrapped canvas. This is the final painting from the series, “exercise these demons.” This is the largest Canvas painting I’ve ever done and the most pieces of paper I’ve ever used. Medusa was so beautiful she was the only woman who was able to steal Poseidon away from Athena, the goddess of beauty. Athena was so mad she turned Medusa into a hideous creature. “Poseidon was easier than most. He calls himself a god, but he fell beneath my fingers with more shaking than any mortal. He wept when my robe fell from my shoulders. “ - Medusa by Patricia Smith, 1955.
“The Vices of Men” - 60” x 48” x 1.5” Acrylic and Cut-Paper on gallery wrapped canvas. This is the final painting from the series, “exercise these demons.” This is the largest Canvas painting I’ve ever done and the most pieces of paper I’ve ever used. Medusa was so beautiful she was the only woman who was able to steal Poseidon away from Athena, the goddess of beauty. Athena was so mad she turned Medusa into a hideous creature. “Poseidon was easier than most. He calls himself a god, but he fell beneath my fingers with more shaking than any mortal. He wept when my robe fell from my shoulders. “ - Medusa by Patricia Smith, 1955.
“The Vices of Men” - 60” x 48” x 1.5” Acrylic and Cut-Paper on gallery wrapped canvas. This is the final painting from the series, “exercise these demons.” This is the largest Canvas painting I’ve ever done and the most pieces of paper I’ve ever used. Medusa was so beautiful she was the only woman who was able to steal Poseidon away from Athena, the goddess of beauty. Athena was so mad she turned Medusa into a hideous creature. “Poseidon was easier than most. He calls himself a god, but he fell beneath my fingers with more shaking than any mortal. He wept when my robe fell from my shoulders. “ - Medusa by Patricia Smith, 1955.
“The Vices of Men” - 60” x 48” x 1.5” Acrylic and Cut-Paper on gallery wrapped canvas. This is the final painting from the series, “exercise these demons.” This is the largest Canvas painting I’ve ever done and the most pieces of paper I’ve ever used. Medusa was so beautiful she was the only woman who was able to steal Poseidon away from Athena, the goddess of beauty. Athena was so mad she turned Medusa into a hideous creature. “Poseidon was easier than most. He calls himself a god, but he fell beneath my fingers with more shaking than any mortal. He wept when my robe fell from my shoulders. “ - Medusa by Patricia Smith, 1955.
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The Vices of Men Painting

Kyle Mosher

United States

Painting, Acrylic on Paper

Size: 48 W x 60 H x 1.5 D in

Ships in a Crate

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SOLD
Originally listed for $5,070
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About The Artwork

“The Vices of Men” - 60” x 48” x 1.5” Acrylic and Cut-Paper on gallery wrapped canvas. This is the final painting from the series, “exercise these demons.” This is the largest Canvas painting I’ve ever done and the most pieces of paper I’ve ever used. Medusa was so beautiful she was the only woman who was able to steal Poseidon away from Athena, the goddess of beauty. Athena was so mad she turned Medusa into a hideous creature. “Poseidon was easier than most. He calls himself a god, but he fell beneath my fingers with more shaking than any mortal. He wept when my robe fell from my shoulders. “ - Medusa by Patricia Smith, 1955.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:48 W x 60 H x 1.5 D in

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Kyle Mosher is a full-time multidisciplinary artist currently residing in Charlotte, NC. He is influenced by a range of artists including: Picasso, Twombly, Rauschenberg, Eduardo Recife (Misprinted Type) and the Synthetic Cubism movement. Aesthetically, he is influenced by paper, texture, loose lines and mixed media in regards to mediums. In terms of art periods, the synthetic cubism movement is his biggest inspiration. His art falls in the intersection where contemporary culture, music and aesthetics meet traditional fine-art techniques and ideas. It is a stylized collaboration of juxtaposing ideas, teachings, and movements. He works in fine arts media as well as commercial media. His signature style brings together a mix of hand painted acrylic, screen printed acrylic, illustration, decoupage and vintage paper to create art in both analog and digital mediums. He has been featured in/worked with: Forbes Magazine, Karmaloop, High Snobiety, Mountain Dew's Green Label, Complex, Radeberger, Bud Light, and more.

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