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The Great Horns Painting

Victor Molev

Painting, Oil on Canvas

Size: 20 W x 24 H x 0.5 D in

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About The Artwork

Victor Molev "Big Horns" 2015, 51x61cm oil on canvas. In the painting “Big Horns” by Viсtor Molev we see a scene full of contrasts and symbolism. The gnome, depicted in the center, appears before us as the embodiment of earthly fortitude and wisdom. with two horns not only serve as protection, but also symbolize his power and strength. The horns of the helmet are decorated with two fairies, which, although they seem fragile, carry a deep meaning. The fairies on the helmet's horns represent entities that contrast with the earthly nature of the dwarf. One fairy is like the embodiment of freedom and lightness of being, and the second is a symbol of transformation and beauty. The dwarf, with his contented smile, seems completely satisfied with his world, where he is the guardian of the balance between earth and sky. This painting makes the viewer think about the harmony of opposites and how different elements of the world can coexist, complementing each other. Before us is not only a visual work of art, but also a philosophical reflection on man’s place in the world, on interaction with nature and on the fine line between reality and fantasy. The author invites each viewer to look for their own answers and open new horizons of perception.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:20 W x 24 H x 0.5 D in

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Victor Molev is a Canadian artist of Russian descent, working in the styles of Decorative Realism, Fantasy, Symbolism and Surrealism. Molev was born in the year 1955 in Gorky (present day Nizhny Novgorod), Russia. From an early age, he has shown interest in the visual arts and dedicated his time to creativity. As the artist himself jokes, his love for art derived from the fact that his grandmother was kissed by Marc Chagall in her childhood. She was his younger sister’s classmate, and often visited the Chagall household. In paintings from his childhood and early youth, Molev showed an inclination towards unconventional compositions that were free of the Soviet canons of “Socialist Realism”. In the mid-1970s, as an aspiring young artist, he took drawing and painting lessons under the apprenticeship of Moscow sculptor Tatyana Vishnyakova. It wasn’t until his early twenties that Molev became familiar with the works of Salvador Dali, Max Ernst, Rene Magritte, M.C. Escher and Frank Frazetta through books and magazines. Molev was incredibly inspired by these artists which became like mentors to him. After receiving an education in architecture, the artist worked in the field for ten years. He then worked as a set designer at the Pushkin Opera and Ballet Theatre. Both of these jobs are still reflected in the creative processes of the artist. Throughout the 1980’s, Molev was a part of many group and individual exhibitions in Houses of Culture, movie theatre foyers, research institutes, and the exhibition halls of the Association of Russian Artists. He also exhibited alongside the Gorky Union of Young Artists, of which he had been a part of since its formation. During the final years of the Soviet Union, Molev worked as a graphic illustrator for the magazine “Samizdat”. In December of 1990, Molev immigrated to Israel. The next year he became a member of the Israel Painters and Sculptors Association. He would regularly exhibit his work in galleries, exhibition halls, and community centres. The artist was constantly a part of the Nachalat Binyamin Market in Tel Aviv, as well as many other art festivals. In collaboration with the writer G.Kostovetski under the pseudonym “KOMO”, he participated in numerous international competitions of humorous drawing, which is marked by his diplomas as well as silver and bronze medals. From 2003 until 2006, the artist owned his own gallery in the city of Haifa.

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