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The ambiguity of the boundaries_04 Painting

Heather Kim

United States

Painting, Color on Paper

Size: 22 W x 20 H x 1.5 D in

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About The Artwork

My artwork is a reflection of my utter inability to adapt to reality. I've always wondered why humans are born and have to live. It's like Zhuangzi’s The Butterfly’s Dream.I don't know if I'm dreaming or dreaming here. In this fundamental ambiguity are dreams liberation. In it, there is no fundamental despair of existence, no need to worry. In it, I can just be me. I just try to describe myself in that ambiguous boundary between life and death. I used to dislike flowers. I don’t like the symbolic meaning of flowers that were always temporary, fragile, vulnerable, weak, and negative. And most of all, they were always too feminine. One day, flowers started to look different. The strength and courage of a flower that blooms with all its might, even though it knows it will fade away. I began to see the beauty of the flower's strength and courage in giving it all it had. I began to see the struggle to keep the life that had been given to it beautiful. I was becoming the flower and the flower was becoming me. This work is painted using oriental paints on Jangji paper, which is one of the thickest and toughest types of Hanji(Mulberry paper), and then each painting is attached to two wooden panels each. The wooden panels are 1.5 inches thick. Although the two panels are the same size at 20 x10" (HxW) each, I wanted to depict two starkly different worlds and present them as one. On the right side, I painted flowers and plants, and on the left side, I painted clouds in a square, angular frame inspired by René Magritte's paintings, and I connected the two panels with a butterfly motif from René Magritte's Apple and the Butterfly from the parable "the dream of the butterfly" by Zhuangzi to represent the connection between the two different worlds.

Details & Dimensions

Multi-paneled Painting:Color on Paper

Original:One-of-a-kind Artwork

Size:22 W x 20 H x 1.5 D in

Number of Panels:2

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The Ambiguity of the Boundaries 1. My artwork is a reflection of my utter inability to adapt to reality. No matter how hard I try to understand why we were given life, I can never find an answer. It's like Zhuangzi’s The Butterfly’s Dream. I don't know if I'm dreaming or dreaming here. In this fundamental ambiguity are dreams liberation. In it, there is no fundamental despair of existence, no need to worry. In it, I can just be me. 2. I used to hate flowers. I don't like the symbolic meaning of flowers. In the real world, as I was taught, flowers were always temporary, fragile, vulnerable, weak, and negative. And most of all, they were always too feminine. One day, flowers started to look different. The strength and courage of a flower that blooms with all its might, even though it knows it will fade away. I began to see the beauty of the flower's strength and courage in giving it all it had. I began to see the struggle to keep the life that had been given to it beautiful. I was becoming the flower and the flower was becoming me. Not in a dream, but in a reality that is destined to end in death anyway. Between these two worlds, I alternate between both. When I was in reality, I longed for the dream. And when I’m in the dream, I wish I were still in the dream. In reality, I live like an eternal stranger. 3. So maybe that's why Magritte's paintings had an unknown pull on me, who was always a stranger in reality. Whether indoors or outdoors, nonsensical objects in nonsensical situations, leading me to a strange sense of otherness. The cloudy window, in particular, seemed to take me somewhere else for a moment. I wanted to stay in a dream. 4. I grew up in South Korea and moved to the United States and have been living in New Jersey for over 20 years. After graduating from all my coursework, I was introduced to graphic design by chance and have been working as a professional graphic designer for 20 years. I would like to try to combine traditional painting and graphic art in the future.

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