VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Wood
Size: 15 W x 20.1 H x 2 D in
Ships in a Box
'The Maybe Man’ is a copy of van Dyck’s, Studies of a Man’s Head, a work that hangs in the Rockox House Museum, Antwerp. I’ve never seen the original. I made this copy from photographs. Who is the model? Was he a real person, a real someone who lived and breathed? Or was he just a figment - a pigment figment - of the great artist’s imagination? Perhaps some scholar, some art historian, could share her scholarship and tell us. Perhaps if I drilled down far enough, through endless webs, I could un-Google the truth. I won’t bother. That’s not the point. Why is the poor soul lost in contemplation, his whole demeanour ‘a lavender spray of wistful regret’? Maybe he had recently been touched by a moment of magic, a noonday that blazed into Brigadoon day? And now the moment has passed. We’ll never know. Only the great Sir Anthony van Dyck, painter of the masterwork on which this humble, humbling, copy is based, could tell us. A copy, after Sir Anthony van Dyck, of Studies of a Man’s Head NB: Just to be clear this work is painted in acrylics on a gessoed panel. The panel is made of hardboard, known in the US as Masonite.
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:15 W x 20.1 H x 2 D in
Frame:Black
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I paint industrial architecture, townscapes, landscapes, portraits and still life. Many pictures are based on London buildings, some of which - most of which come to think of it - have since been demolished, though not as a direct result of depiction. My interest in industrial architecture stems from the fact that I used to paint outdoors, in front of the scene itself. One of the few places you could do this without being disturbed was on derelict industrial wasteland - brown field sites as they're now called. If you paint in public places passers-by constantly interrupt. They look over your shoulder at what you're doing and say things like: 'My Nigel draws....'
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