VIEW IN MY ROOM
United Kingdom
Painting, Ink on Paper
Size: 39.4 W x 27.1 H x 0.1 D in
Ships in a Crate
Shipping included
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inspired by clay rocks in sand, scratch marks,mudwater,indentations, storms,granite beaches,wheel tracks, signs of movement, dry parched land cracked clay archives, dirt roads, lanes, paths, harshness, eruptions signs of tracks, insects, animal footprints, horse hooves, droppings, wasteland, baron ground, dry clay moulds, mud once dust, lumps of mud covered roots, crumbling ant hills, slivers of scilacone, parched branches, dilapidation, feels like thunder... sounds in pieces, random remains indecernable, feather amongst small clay lumps, nature 's marks,r ain pounding the ground, wind blowing moving objects, bullet, cartidges, what looks like spilt dimes
Multi-paneled Painting:Ink on Paper
Original:One-of-a-kind Artwork
Size:39.4 W x 27.1 H x 0.1 D in
Number of Panels:3
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
LIVES IN LONDON UK WORK ABSTRACT MINIMALIST PAINTING About KJ Cook While attending art school in late 60’s and 70’s, a radical shift in contemporary art was taking place through the development of conceptual art. Cook explored and created video art, performance art, learnt skills in lithography, photography, film making and studied the history of independent film making. Traditional materials and skills were replaced by systems, graph drawings, cinematic- montage, notation, movement, sound, and spacial performance, installation and video performance. In 1974 Cook moved to the U.K. and trained in theatre design, drawn to new writing and the disposable nature of ideas over time and the final 3D results rarely given refuge after it's first public viewing. Cook worked extensively as a set and costume designer in theatre, ballet, opera and film, for nearly four decades, as well as working ten years in collaboration, experimenting in development of music/theatre. Throughout that time Cook has always maintained an independent art practise and studio in the U.K. with the emphasis on development of ideas and abstraction. Since the mid seventy's Cook's art work continued to develop using basic materials on paper, featuring automatic drawing and painting with no use of film or video technology or documentary tools. In the late eighties she began to paint monochromatic, minimalist work after a strenuous and persistent return to drawing, which continued into the late 1990's. Landscape of the body as well as nature of a disproportionate scale began to fuse and has continued to developed. Since 2010 Cook made a decision to gradually transition from stage design to painting without the cushion of script, scenario,libretto,dialogue, and has been painting full time since 2016.
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