VIEW IN MY ROOM
Italy
Painting, Acrylic on Forex
Size: 39.4 W x 47.2 H x 0.6 D in
Ships in a Box
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Why sinister? Sinister are negative events that loom or are about to loom over us without us being fully aware of it, or maybe we are, but we continue to live as if it doesn't concern us. The atmospheres with unnatural, violent, dark, electric colors, the sun that has nothing left of the sun we knew are now our daily life. But we too are sinister when we do nothing to avert the imminence of a probable catastrophe. The picture was painted with a mixed technique: acrylic and painted clay that protrudes slightly from the base. The surface that forms the basis of the painting is a material similar to Forex but lighter. The painting will be packed in a cardboard box.
Painting:Acrylic on Forex
Original:One-of-a-kind Artwork
Size:39.4 W x 47.2 H x 0.6 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Born in Italy in Marche region,after many year of life in Milano. I attended the art high school and the Book art school in Urbino, with a cartoon focus. I worked in the Bozzetto studio as an animator, artistic director and director. I participated, as a character creator, in the film “Allegro Non Troppo”. I have collaborated on some Enzo D’Alò films in Lanterna Magica. Later I had my own production company. (Motusfilm) I have been an illustrator and author of children's books and the author of several animated short films awarded at various national and international festivals. I currently riturn to live in the Marche region .Here I work on portraits, and I paint personal interpretations of the human figure and portrait, two and three dimensional, with mixed techniques ranging from clay, digital, acrylic, photocopy, papier-mâché. Why the portraits? Because I'm curious about human nature. In the last exhibition I exhibited more than 50 plates of portraits of contemporary artists, where I not only show the face of the artist, but also his art that mixes and intertwines with my work, that is, I adapt to his style, and his style is adapted to my composition, sometimes even leaving out the verisimilitude, to give more space to what I perceive of that artist. From an early age I enjoyed drawing and coloring, and this propensity has never abandoned me, on the contrary it has been further increased by the artistic direction of the various schools I attended. In my works there is everything that I absorbed in the place of my childhood, that is: the masks, the carnival, the allegorical float, which were and still are a moment of happiness and joy and, especially my thirty-year profession as a cartoonist.
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