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Pink flower Painting

Christina Pittarides

United Kingdom

Painting, Oil on Other

Size: 0.4 W x 0.4 H x 1 D in

This artwork is not for sale.
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About The Artwork

My painting is beginning to changes the brush strokes are becoming more fluid. Some of the paint is left very thin compared to parts like the hair eyes and flower, which are thicker. This painting represents specific thought with Space and arrangement with placement of the body. Looking deeper into the painting I being to comprehend the essence of this type of perspective in analysis of ones self in a reverie, blissful, Bewitching and sensual understanding the distinct methods in the way my appearances changes when dressing up. In painting and expressing thoughtful aspect on observing a glamorous persona identity is ever changing the way we look with clothes and make up. I put this into practise in painting a representation like a mask of make up with feminine pastel colourings of soft pinks to dark reds and grey tones compared to melancholy blacks. Using Gentle brush strokes to more thick aggressive bolder paint strokes like the way Dawn Mellor corrupts celebrity faces with her painting move to challenge my femininity and sexuality. In my viewing and understand of the way Marie Laurencin analysis’s of femininity in her pastel paintings of wide-eyed, curvy formed women.

Details & Dimensions

Painting:Oil on Other

Original:One-of-a-kind Artwork

Size:0.4 W x 0.4 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Just completed an MA in Fine art at Middlesex University. Graduated from Central Saint Martin's in 2010. My artistic practice starts with garish photographs of friends, family and found imagery that I have had some encounter with. These images are often of poor quality and I use them as a basis for my paintings. I am interested in the tension between the "˜mundane' and "˜everyday' imagery in contrast to the alluring imagery of commercial culture. Be it of a burlesque dancer or a footballer, these paintings comment on self-assurance and vulnerability- painted with attitude. Recently, I have started collecting photographs of young fashion victims. I have found hanging around Madrid and London. From these images I have started to depict a contemporary context with reference to the paintings of Toulouse-Lautrec's Paris nightlife. Dapper man about Hoxton 2011, the man depicted wearing a pink tutu the elements of clothing also linking it what the women of the Moulin Rouge would have worn. In contrast I have began to create two paintings together that reference Bridget Riley's black and white optical paintings from the 1960s, the contemporary painter Andrew Greaves (who gave a seminar about his paintings and his particular reference to Riley in one of his paintings.) I wanted to exhaust the idea of using and reusing Bridget Riley's optical painting technique from the 60s. Into a current culture transforming both of their ideas into my own painting, commenting about recycling and referencing existing ideas. My own technique and painting style also reference's John Bratby and Dawn Mellor's in the way I "˜grotesquely' use a raw style melding paint on to the canvas. On the other hand my work is in stark contrast to Bratby's misanthropy because it is my love of people and their own unique and complex existence that compels me.

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