VIEW IN MY ROOM
Painting, Acrylic on Canvas
Size: 19.7 W x 23.6 H x 0.6 D in
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The fourth in the series of missing ingredients, named so because nobody gets to see whats in their ingredients. The layers build up using stencils of sea monsters lifted from ancient sea maps. Stay Puft marshmallow man is here too, In the 80s movie 'Ghostbusters' the heroes are requested to 'choose their destroyer' by imagining it. They decide they will think of nothing then nothing will appear as their enemy. However someone thinks of marshmallows and the marshmallow monster comes to fight them. This parallel is drawn with the Convid1984 plandemic, it was not something that was evident except in the minds of the population. This imagined terror came to fight them because they chose to bring it into their reality by believing it. This one is called 'free burger' as the incentive to 'protect' themselves with a vaxxine came with a free burger meal.
Original Created:2022
Subjects:Abstract
Materials:Canvas
Styles:AbstractStreet ArtPop Art
Mediums:AcrylicSpray Paint
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 23.6 H x 0.6 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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I use recurring themes based upon my own perceptions of the world we live in.Realism can feature in my work sometimes but i'm generally driven by abstraction. The process has to be enjoyable, quick and not labored. Creative play forms a large part of the artworks. I was influenced by Picasso's 'unlearning' process of imitating child like drawing. What are we trying to say as an artist is something crucial to the work. My theme is generally focused on 'trust' and 'deception'. I'm traditional in the sense that I like the 'format' of painting, print and sculpture. My style evolved from splicing contrasts together, Id make a stencil, push some acrylic through it instead of spray. Then Id paint over them so that they became partially lost in the painting. This was to recreate a visual way of showing how things are hidden. In the same way our body has an inward working of lungs and the intestines. Also how in the world there are things obscured within events. These events draw our attention but the surface of them hides something deeper. So the work in its composition conveys hidden things, sometimes I'll use childish imagery to obscure something sinister. I might do this to show how a simple way of thinking hides something more complicated. Its complexity could be intimidating. There are lots of allegorical meanings too, I might show a thorny rose for example. This would indicate good and evil. You might be intrigued as to why Id write ' life and death' on a lion's tongue? This would show the power of the tongue.
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