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The White Stag Calls, Invitation to the Quest Painting

Roger Williamson

United States

Painting, Oil on Canvas

Size: 12 W x 18 H x 1 D in

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Originally listed for $1,280
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About The Artwork

The White Stag calls. An invitation to the quest. Arthurian legend states that the creature has a perennial ability to evade capture; and that the pursuit of the animal represents mankind's spiritual quest. It also signaled that the time was at hand for the knights of the kingdom to pursue a quest and that whoever hunted down a white stag could kiss the loveliest girl in Arthur's court. The white stag is a familiar creature of myth and legend. Its origins are likely to originate in the totemic period of early Indo-European society, particularly the northern societies of the Celts and pre-Indo-European cultures, whose subsistence was gained not only through agriculture, but through hunting. This dependence on deer may be seen in the zoomorphic Celtic god Cernunnos, depicted as being a man with the antlers of a deer. For early man, the deer represented a valuable resource, providing nourishment, clothing and other accessories; and the deer may have played a role in totemic culture. Ultimately, the white stag is not only a creature of the gods, but is a god himself, symbolizing the creative life force of the universe--sex, life, and also death. For Celtic people the white stag was considered to be a messenger from the otherworld and also believed that the white stag would appear when one was transgressing a taboo. British mythology is full of references to the deer. The creature was believed to be an animal that could transform bringing messages and sending signs to the humans from the gods and spirits. It was also believed to draw hunters further into the forest, providing visions and often wonders, all of which held deep symbolism for the hunter and community.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:12 W x 18 H x 1 D in

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Roger Williamson is a visual artist, residing and creating in Minneapolis Minnesota. Born in Loughborough, England, in 1947 and growing up in Coventry he was inspired from an early age by the French Symbolist painters of late nineteenth century France, These artistic influences, in conjunction with his own esoteric upbringing and practical experiences of magick, mythology and dream control, form the matrix, a collective oeuvre upon which his paintings and writings are an extension. Using diverse creative media, whether painting or writing books, Williamson endeavors to develop techniques that materialize the sensuous dreaming experience into the language of the waking world. Aspiring to reintroduce mystery and ambiguity back into the adventure of human existence through the creative process, encouraging artistic audiences towards "living effulgent and invigorating lives, revitalized from the secretions of our subconscious." Roger Williamson is the creator of Tarot of the Morning Star deck and the author of The Sun at Night. Statement Art is an externalization of struggle to rationalize and give form to something not understood. The artist, like the oyster, is driven to externalize this conflict into the image of a pearl. I believe art should be appreciated through a viewer's individual intercourse with the work, allowing the image to speak for itself and not be prejudged by societies academic paradigms. This concept has close parallels to techniques first acquired in childhood, such as the ability to stare at clouds and see recognizable images arise and fall in the mind’s eye out of what initially was perceived as chaos. Through this technique, letting a work speak to a deeper self than the superficial mind involves the viewer in the creative process, their imagination evolves the artwork to another level. The work is no longer stationary but part of a wave as is nature herself.

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