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I live in the Shendoah Valley and although I work abstractly I'm greatly influenced by the mountain ranges I see all around me. I started to paint landscapes by accident. They just appeared and continued to take form over the past year. I hope viewers will experience them as I do, as almost archetypes, color experiences of landscape. I use oil as my medium because of the intensity and placticity of the paint and pigments.
I live in the Shendoah Valley and although I work abstractly I'm greatly influenced by the mountain ranges I see all around me. I started to paint landscapes by accident. They just appeared and continued to take form over the past year. I hope viewers will experience them as I do, as almost archetypes, color experiences of landscape. I use oil as my medium because of the intensity and placticity of the paint and pigments.
I live in the Shendoah Valley and although I work abstractly I'm greatly influenced by the mountain ranges I see all around me. I started to paint landscapes by accident. They just appeared and continued to take form over the past year. I hope viewers will experience them as I do, as almost archetypes, color experiences of landscape. I use oil as my medium because of the intensity and placticity of the paint and pigments.
I live in the Shendoah Valley and although I work abstractly I'm greatly influenced by the mountain ranges I see all around me. I started to paint landscapes by accident. They just appeared and continued to take form over the past year. I hope viewers will experience them as I do, as almost archetypes, color experiences of landscape. I use oil as my medium because of the intensity and placticity of the paint and pigments.
I live in the Shendoah Valley and although I work abstractly I'm greatly influenced by the mountain ranges I see all around me. I started to paint landscapes by accident. They just appeared and continued to take form over the past year. I hope viewers will experience them as I do, as almost archetypes, color experiences of landscape. I use oil as my medium because of the intensity and placticity of the paint and pigments.
I live in the Shendoah Valley and although I work abstractly I'm greatly influenced by the mountain ranges I see all around me. I started to paint landscapes by accident. They just appeared and continued to take form over the past year. I hope viewers will experience them as I do, as almost archetypes, color experiences of landscape. I use oil as my medium because of the intensity and placticity of the paint and pigments.
I live in the Shendoah Valley and although I work abstractly I'm greatly influenced by the mountain ranges I see all around me. I started to paint landscapes by accident. They just appeared and continued to take form over the past year. I hope viewers will experience them as I do, as almost archetypes, color experiences of landscape. I use oil as my medium because of the intensity and placticity of the paint and pigments.
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nightscape Painting

Pam Klein

United States

Painting, Oil on Canvas

Size: 24 W x 24 H x 2.5 D in

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About The Artwork

I live in the Shendoah Valley and although I work abstractly I'm greatly influenced by the mountain ranges I see all around me. I started to paint landscapes by accident. They just appeared and continued to take form over the past year. I hope viewers will experience them as I do, as almost archetypes, color experiences of landscape. I use oil as my medium because of the intensity and placticity of the paint and pigments.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 24 H x 2.5 D in

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Color can evoke an experience, a history, a feeling, a moment in time. For 40 years I’ve been exploring the interactions between color as a means of expression. At the moment I’m working in oil and occasionally in gouache. My process involves a visual conversation between colors on the picture plane. As a dancer uses the physical space of the stage I use the physical/visual space of the canvas to tell the story. I’ve taught variations of the basic color theory course for 30 years at Parsons School of Design. I’m now an Emeritas Professor of Fine Art at Parsons School of Constructed Environments, The New School.

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