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"Nereida" Painting

Ricardo AB Pereira

Brazil

Painting, Acrylic on Soft (Yarn, Cotton, Fabric)

Size: 27.6 W x 63 H x 2 D in

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About The Artwork

Nereida também é uma banhista, mas seu maiô é moderno. Suas formas curvilíneas contrastam com as linhas retas de sua vestimenta. Ao fundo, vemos um mar de cores, signos gráficos e texturas fortes. Tecidos colados chamam a nossa atenção para o suporte no qual a banhista se prepara para mergulhar. Nereida is also a bather, but his swimsuit is modern. Its curvilinear forms contrast with the straight lines of her garment. At the back, we see a sea of colors, graphic signs and strong textures. Bonded fabrics draw our attention to the support onto which the bather is preparing to plunge.

Details & Dimensions

Painting:Acrylic on Soft (Yarn, Cotton, Fabric)

Original:One-of-a-kind Artwork

Size:27.6 W x 63 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1961, in Recife, Pernambuco - Brazil, Ricardo A. B. Pereira graduated in Painting from the School of Fine Arts of the Federal University of Rio de Janeiro (EBA-UFRJ). At the same university he did his master's and doctorate in Visual Arts (History and Art Criticism). As a professor of painting at EBA-UFRJ, he has diversified work in the fields of painting, woodcuts and ceramics, having held over 25 individual exhibitions and numerous collectives. He has works in private collections in Brazil and abroad, having received several awards throughout his career. Her favorite themes are directly related to Afro-Brazilian culture, ancestral arts, myths, fantasy, folklore and Brazilian popular culture, but lately she has been working on transcendental themes related to planetary changes and contacts with extraplanetary civilizations and other spatiotemporal dimensions. He works with several techniques in his paintings, highlighting the combination of oil paint with wax paste and traditional encaustic. In engraving, his favorite technique is woodcutting. In ceramics he produced vases, plates and sculptures, coloring his pieces with engobes and sometimes enamelling them. His art has its own identity, recognizable in its various creative phases. His motto is: “Art can improve the world”.

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